A Novel of Midnight, Texas
By Charlaine Harris
I enjoyed Charlaine Harris’ True Blood series, both the books and the TV show, at least the first few issues of each, so I figured I’d check out her Midnight, Texas series. I watched the pilot episode and the characters and acting were all flat enough that I couldn’t stay engaged, but I was curious enough about the mystery itself that I decided to try the book.
Well, if the protagonist was blandly irritating in the TV show, he’s downright dislikeable in the book – self-centered, arrogant, and deeply uncharitable toward the other characters. Manfred is a psychic – mostly scam artist but with the occasional true sight, which is of absolutely no help in this first book – who needs to lay low for as yet unexplained reasons. The ghost of his grandma directs him Midnight, a simple crossroads of a town in Texas just chock full of eccentric characters.
I sort of assumed he was starting off unpleasant to create an arc of finally realizing his place among all the other supernatural weirdos in town, but it never really materialized. If anything, the other characters got increasingly unlikeable as the book went on.
We first meet Manfred’s landlord, Bobo, who initially seems attractive and pleasant, but then increasingly “naïve” to the point of stupidity. His girlfriend has disappeared, without leaving a note or taking any of her things, and he is currently bummed about being run out on. Of course the girlfriend is soon found dead in ditch, and his “aw, geez, I’m just so sad my girlfriend is gone, but there’s nothing to be done about it” attitude naturally makes him the prime suspect.
Manfred is our primary protagonist, but a good chunk of the book is also told from the perspective of his next-door neighbor, a self-identified witch named Fiji, who is quickly established as the heart of the community and I guess this story. She has been secretly pining for Bobo for years, and quickly mobilizes the community in his defense. I would have liked Fiji a lot more if she hadn’t had quite so constant an internal dialogue about how much she didn’t care that she was “curvy,” and “softer” than the other women in town.
Harris’ writing is always on the pulpy side, but this one seemed especially thinly sketched out, even for her. It was written just a few years ago, and I wonder whether her success in television has led her to focus more on that. With the concentration of varied ensemble of characters and sort of loosely tied together action scenes, it reads much more like the outline for a script than a novel to me. Unfortunately, it didn’t make for an engaging show, either.
—Anna
This is actually the second in a Victorian-era series featuring intrepid reporter Penny Green, but other than the awkward progression of her relationship with a Scotland Yard Inspector, I don’t think I missed much by jumping ahead. And by that, I mean I didn’t actually care enough to miss anything.
One O’Clock Jump is basically the polar opposite. It is the first in a series featuring Dorie Lennox, a private investigator in Depression-era Missouri. She is tough, smart, and deeply sympathetic, and she just can’t catch a break, which is what really did it in for me. In the first chapter, Dorie is tailing a woman for a job and follows her up a bridge, which the woman then jumps off. There’s no heroic rescue, just watching the body float away in the current, which is more realistic, I guess, but also solidly sets the tone for the rest of the book.
I have been hesitating over this review for a while because Thornton writes predominately gay mystery/romances, which is definitely a niche market and not for every reader. The Pinx Video Mystery series is written for a wider audience, though, and is just so good that I have to recommend it. The first book of the series, Night Drop, begins on the night that officers that beat Rodney King were acquitted and riots broke out across LA.
Hanif Abdurraqib is very smart and funny on
This novel is described as “a novel of language and love that tells one young Chinese woman’s story of her journey to the West—and her attempts to understand the language, and the man, she adores.” I was expecting a love story, quite honestly, though one with a unique approach. It is, uh…not that.
This was on all sorts of Best of lists and the description sounded amazing; this was the quote from the New York Times review: “A mind-bending romp through a gender-fluid, eighteenth century London . . . a joyous mash-up of literary genres shot through with queer theory and awash in sex, crime, and revolution.” I like all of these things! This should be awesome! But even after multiple tries, I never made it past the third chapter. It was written in some of Olde Englishe dialect that my brain just wouldn’t parse at all. I feel like if I could have gotten over the hump and into the story I would have liked it, but I guess I’ll never know.
Of course, everyone was reading this book. In DC, naturally, but I think there was a mad scramble for it nation-wide. I don’t really buy books anymore, and the library waitlist was over 900 people, so I figured I’d probably get around to reading it in a couple years once the next big exposé came out. However, at Thanksgiving my dad said that I could borrow his copy, as long as I return it at Christmas. A month! Plenty of time, right?
With a title like that, how could I not want to read it? Also, the book is a 20th anniversary edition that was being highlighted at my local library as a recommendation from one of the librarians, and it’s about modern life on an Indian reservation. It’s a collection of 24 short stories, most of them only about 10-pages long.
This is like Wibbly-Wobbly, Timey-Wimey: the novel. The book is covered in blurbs raving about how original and fascinating it is, but I’m not sure that I ever got a full grasp of what was happening. Every so often, I’d get a spark of understanding, which was pretty cool, but then it would inevitably lead to even more confusion.
Have you ever thought Jane Eyre would be improved if the heroine had simply murdered all the villains who cross her? Well, have I got a book for you! The very first sentence sets the tone: “Of all my many murders, committed for love and for better reasons, the first was the most important.”
As the days get colder and the nights get longer, treat yourself to some beautiful, sunny vistas of the Kenyan safari. I can feel my blood pressure sinking with each photo, regardless of whether they include any giraffes or not.
Kinsey has read a fair number of Mitchell’s books, but this is my first one, and the only way I was able to put it down at all was to try to stretch it out for longer, it was so good! It is also very spooky, so I recommend it for a good October reading, leading up to Halloween. (I realize I’m cutting it a bit close here.)