Kickstarter comics

As the year at work started off with a cascading series of problems, I have been in a bit of a reading slump , not able to focus on reading and getting distracted even from stories that I’m actively enjoying. I’ve started a number of books and haven’t completed any of them, and it’s definitely me rather than any judgement on the books. Hopefully I’ll get back to those later and be able to enjoy them when I’m in the right mindset.

But one of the things I enjoy doing is browsing the comics section of Kickstarter. There’s always a wild array of possibilities there with stories that couldn’t or wouldn’t or just haven’t found a way into mainstream graphic novel publishing, at least not in the US. I semi-regularly support the stories that catch my eye and then just wait to see what shows up as a surprise gift to myself however many months later.

Last week while I was moping around not able to read anything much, one of the projects I supported was fulfilled and I received a package that contained two thin volumes that were each short enough that I could just sit down and read them in one go:

Cotton Tales, Volumes 1 & 2
by Jessica Cioffi, AKA Loputyn
2022

These beautiful books full of ethereal images tell a gothic story of a boy who has woken from an injury with no memories in a mansion that’s haunted by a ghost and there are a huge number of rabbits that only he can see. The world has magic in it, but it’s unclear what is real to that world and what isn’t. And everyone he meets has ulterior motives and hidden histories.

It’s a fairy tale story with a simplicity that let me read and enjoy it within a day and break my streak of unfinished books. I’m also looking forward to seeing if there is an eventual volume 3, although volume 2 does end with a satisfying conclusion even as it sets up for the next stage of events. Volume 1 ended with much more uncertainty so I’m glad I got these both at once.

Having enjoyed these books so much, reminded me of another Kickstarter comic that I’d received some time back and then never got around to completely reading:

Elements of Fire
edited by Taneka Stotts
2016

This more hefty book is a limited-palette graphic novel (black, white, and red) anthology of 23 stories with lengths ranging between two to sixteen pages each. The first couple of stories reminded me of why I hadn’t completed this before: they weren’t bad, just not to my taste: one high fantasy and one overly twee. But this time I persevered and I am so grateful that I did because the third story blew my mind! It was so good and so beautiful both visually and conceptually. And then there were twenty more stories!

With any anthology there are going to be better and worse stories but this is really an amazing collection. I loved more stories than I didn’t and now I’m a bit embarrassed for having set it down for so long. The artists made some amazing and fascinating choices with how to use the restricted palette to best effect, and created vast and complex worlds in just a few pages each.

Each story is unique — Stotts did an amazing job of curating a wild diversity with this collection that went above and beyond the stated intent of diversity in having all creators of color. It really shows a diversity of cultures and styles and approaches to the art of graphic novels.

While they all very good, my favorites — the ones where the stories and the art combined to touch my heart — were:

  • Cactus Flower by Sara Duvall
  • Pulse by Der-Shing Helmer
  • Hearth by Jaid Mandas and Marisa Han
  • Preta by Chloe Chan and Nina Matsumoto
  • Meta Helmet by Deshan Tennekoon and Isuri Merenchi Hewage
  • Caldera by Jemma Salume and Taneka Stotts
  • Firestom by Melanie Ujimori and Chan Chau
  • Home is Where the Hearth Is by Veronica Agarwal

I highly recommend this anthology to any and everyone to see which stories and images touch them. Because all of the stories are skillfully written and drawn: after that it’s a matter of personal preference.

This anthology also really presses home why I browse Kickstarter so much more often than I step into any comic bookstore anymore. A good comic book store will have an “Other” section in addition to their Marvel and DC, but they necessarily cater to the masses in a way that Kickstarter doesn’t have to. Plus each comic is a unique creation of love by an artist rather than a business decision by a corporation, so even when they wind up not to my taste (which happens sometimes), I never regret supporting them.

It was also wonderful to sit down with some books and actually read them, cover to cover, and have a sense of completion that I’ve been missing in the last couple of months.

Hugo-Nominated Novellas

I’m usually not a fan of novellas (they often feel to me like bare outlines of better, longer books), but after reading Nghi Vo’s two last year, I was ready to reconsider. The Empress of Salt and Fortune won the 2021 Hugo novella category, and since I loved that one so much, I decided to check out some of the others. These authors have definitely proved me wrong – with each one, I paused multiple times to just take in fully how good it was! And honestly, right now, being less than 200 pages is perfect for my attention span.

Ring Shout by P. Djèlí Clark

I had first read Clark with his short story, A Dead Djinn in Cairo, which I highly recommend – he has a companion novella, which I enjoyed quite a bit, and a sequel novel, which I hope to read soon, set in the same magical, steampunk world. They are fun, adventurous murder mysteries with fantastical elements.

Ring Shout is a bit of a divergence, set in Georgia in 1922 during the rise of the KKK, but still maintains the exciting pace of an adventure story, as well as a wide variety of delightful characters. Clark masterfully balances the reverberating horrors of slavery with a celebration of Black life and resilience. Instead of a harrowing look at the evils perpetrated by white supremacy, he focuses on our resistance heroes who triumph against both earthly and other-worldly aggressions.

More subtly, he weaves in themes of how fear and anger can corrupt into hate, on all sides no matter how righteous or justified, and I definitely needed to do some self-reflection after reading.

Upright Women Wanted by Sarah Gailey

The tagline for this is “Are you a coward or are you a librarian?” and it is perfect! Set in a Gilead-like dystopian future, restrictive gender and hetero-normative identity has been enforced by an authoritarian government. Our protagonist runs away from her stifling home life to join the Librarians, who disperse government-approved literature throughout the country, among other things.

Another exciting adventure story, with Western overtones, since horses and wagons have once again become the norm, with the limited cars and fuel being reserved for military use. Along with the protagonist, we get to know better the other librarians, and their role in a larger-scale resistance movement. Like Ring Shout, it is exciting, suspenseful, and ultimately hopeful.

FINNA by Nino Cipri

FINNA is set in a fictional IKEA, and I’m not sure a better dystopian setting exists. Ava and Jules are co-workers and recent exes who must awkwardly work together to rescue a customer from a wormhole, which apparently not infrequently opens in random big Scandinavian furnishing stores. Another enthralling adventure as the duo have to cross through several multiverses, with a very funny but pointed satire of capitalist grind and work culture.

Each world is a fascinating look at how trade and commerce can play out in society, diverging farther from the US standard the further our protagonists go, but I have to say that the laugh-out-loud funniest parts for me were in the prime store and all the very accurately satirized agony of working retail.

This Is How You Lose the Time War by El-Mohtar and Gladstone

This Is How You Lose the Time War
by Amal El-Mohtar and Max Gladstone
2019

This is a fascinating book that has both time travel and a branching universe physics as the background to a war between monolith entities, and all of that as a background to the relationship that builds/grows between Red and Blue, the respective top agents of each side. They are each other’s main foe and foil and the book starts when they begin an unsanctioned correspondence.

The authors make the extremely good decision to not explain how the technology works, or the physics of the universe, since that would simply bog down and distract from the relationship that is the focus. And so the hints and peaks of that background are little teasers that define a rich background and could act as prompts for a hundred other stories. But this story is about two agents who are closer to each other as enemies than they are to their allies, comrades, or commanders.

How, and why, (and when!) that relationship develops has it’s own twists and turns. While this is not a long book (less than 200 pages), there were several points where I thought I knew how it was going to go and then it twisted away in such a manner that was both completely unexpected and yet entirely perfect and how had I not seen that coming?

A good portion of the book consists of the letters that Red and Blue send to each other, so there are also three distinct voices in the text: Red, Blue, and the third-person omniscient narration that alternates which character it’s following. While the letters sometimes get a bit florid for my taste, it’s also interestingly true to the characters who write them.

This is a beautiful and fascinating story and I definitely recommend it.

Iron Widow by Xiran Jay Zhao

Iron Widow
by Xiran Jay Zhao
October 7, 2021

O.O

Wowza.

This book.

The main character is kind of the embodiment of “Are you tired of being nice? don’t you just wanna go apeshit?” Yes. Yes, she does. And thus, so she does.

The book was described as a re-imagining of the life of the only ruling empress of China, Wu Zetian, in a futuristic sci-fi/fantasy China that merges Pacific Rim with The Handmaid’s Tale.* There are giant mecha robots piloted by male pilots and powered by female concubines… who don’t tend to survive the process. Wu Zetian is a pretty peasant girl filled with rage. Her older sister was already sold to the army as a concubine and she’s going next, but she’s planning a revenge assassination rather than dutiful self-sacrifice.

In a society telling her that girls and women are naturally gentle and soft, appeasing and submissive, Wu Zetian knows that’s wrong from her own personality. As the book progresses, she peals back more and more layers of her own assumptions, revealing how aspects of the world that seemed like natural laws are instead very much man-made. What seems like basic history, is instead thick layers of propaganda difficult to even find the edges of. With lies and manipulations twisting any understanding of the world, moral decisions are nearly impossible. And the prize after every victory is a more difficult battle.

The whole book is a series of dramatic battles — mental, emotional, physical, you name it — that build to greater and greater heights, and the end is less a conclusion as it is a launching point. It’s extremely satisfying, so I wouldn’t call it a cliff hanger, but there’s no resting on one’s laurels in this universe. I really hope there’s a sequel and I also have no idea how the author will manage to write a sequel to this.

This is Xiran Jay Zhao’s first book, but I was first introduced to their twitter account and the very good, very funny analysis of various movies set in China and what they get horribly wrong, or occasionally right, examples: Mulan (2020) and Mulan (1998).

I highly recommend this book, but also just wow: this character is amazing and she pulls absolutely no punches. And also her whole relationship situation is fabulous, summed up by her statement, “Love doesn’t solve problems; solving problems solves problems.” And she is out here to solve some @#$@%ing problems!

* Without having read The Handmaid’s Tale, I’m still going to assume it (much like Jane Eyre) would be vastly improved by the main character being more murderous. And Wu Zetian is here for that murderous response to subjugation.

The Kingdoms by Natasha Pulley

This is a tricky review to write because this book was fascinating and well-written, but I didn’t care for it and I don’t think it quite managed to pull off what it had intended to.

I have a great deal of respect for Natasha Pulley as an author, and really enjoyed her previous three books. She always has really interesting concepts and does amazing things with timey-wimey stuff, and this book is no exception. The Kingdoms is unrelated to the previous series, with its own world and characters, mostly around an alternate history of the Napoleonic War (1805 – 1807), but also in “Londres” some 93 years later (1898 – 1900).

Not to include too many spoilers, but as you might guess, this delves into time manipulation and changing timelines and people changing because of changing timelines even more than any of the previous books had. Unfortunately, I think this is the first time she didn’t quite manage to pull it off.

The chapters skip around in time a lot, and I often had to just go with the flow rather than completely understand how the parts interconnected, and there are some parts that I don’t think make sense based on the internal world-building. I considered reading the book a second time to more fully track the course of events, but that brought me to my second problem: I found all of the characters vaguely unpleasant in a wide variety of ways. For good and valid reasons: they’re all horribly traumatized in a variety of ways too, but that just makes reading about them even less pleasant. A mixed blessing was how low-key they all were about the horrifying circumstances and the even more horrifying adaptive behaviors.

The only part that I really enjoyed was the last 50 pages or so in which everything came together and a variety of explanations clicked into place and there’s a couple of impressive feats. There’s even a mostly happy ending (as long as you don’t think about it too much.)

So, to sum up: I didn’t enjoy it but I hope that there are other readers who did. And I’m impressed with the writing that tried to do something really difficult. I’ll still keep an eye out for anything else that Pulley writes.

Murderbot by Martha Wells

The Murderbot Diaries by Martha Wells were originally an (amazingly wonderful) four-part series of novellas that I already posted about here and here. But since then, there have been developments!

A stand-alone novel: Network Effect (2020)
A fifth novella: Fugitive Telemetry (2021)

I have been a bit off from reading books recently, just feeling sluggish and unable to focus, and then I was reminded that the newest book in this series was being published on April 27, 2021. So I started reading the previous book, Network Effect, that I had bought and loaded on my kindle when it first came out in May 2020 but never read (because sluggish and unable to focus), and it was a great! Are you living in a dystopia and just want to watch fiction all day? Well, Murderbot does too but they still have friends (some of whom are assholes, which is probably for the best because Murderbot is also an asshole) and then plot and events happen and it all works out, more or less, and there’s uncomfortable character growth and development that is hilarious and awkward and so exciting! It left me extremely excited about the new release.

Then I had to re-read the others in order to prepare for the latest.

I was a bit disappointed at first that Fugitive Telemetry was set before Network Effect rather than after, but then I discovered that it was a straight up murder mystery and there’s no room for disappointment. (Also, I can hope that when there is a sequel to Network Effect, it will be another novel instead of a novella!) I bought this story as soon as it was available and finished it within a day and it was fabulous! Murder mystery on a space station! Murderbot is suspicious about assassination attempts on their people! Station security is suspicious of Murderbot! They must work together to find out what happened!

As I was thinking about writing this post, I discovered two short stories that I had completely missed the existence of:

Compulsory” (2019), a single scene set before all of the previous stories, while Murderbot was still doing their regular assigned job and only on episode 44 of their favorite soap opera, The Rise and Fall of Sanctuary Moon, watching it for the first time!
home: habitat, range, niche, territory” (2020), set before Fugitive Telemetry and, for the first time, following a different perspective, showing a slice of life of Dr. Ayda Mensah

So just, in general, I love this series so much!

It was also fun to discover, the day after Fugitive Telemetry came out, that I had curated my tumblr account well enough that I was seeing other fan responses to the release, and it made me so happy. Examples here and here and here.

Catfishing on CatNet by Naomi Kritzer

CatfishingcoverCatfishing on CatNet
by Naomi Kitzer
2019

Naomi Kritzer wrote the Hugo-Award-winning short story, “Cat Pictures Please” in 2015 about an AI that woke up on the internet and wants to do good but struggles a bit with how people work. And decides that their currency of choice is cat pictures. Send cat pictures, get help fixing your life. The help is a bit hit-or-miss but the internal ethical debate about what help should be provided is a combination of interesting, adorable, and hilarious.

This book developed from short story and the AI has set of a social media site CatNet where people can go trade in cat pictures. Our main character, however, is Stephanie, a teenage girl who’s mother is moving her again because they are always moving because the mom is spooked that Steph’s father might have found them again. Steph is mostly resigned to the whole situation, with no particular memory of her father but going along with the constant moves and always being “the new girl” and having all of her friends in a chat room on CatNet.

But then things begin to happen: Steph makes an actual friend at her terrible new school and she begins to test some of her mother’s rules, the AI is enjoying having friends on CatNet too and is beginning to think of “coming out” to some of them, and the world at large is struggling with the ethical considerations of robot teachers and self-driving cars, both of which have the potential to be hacked.

There’s also a diverse cast of characters that isn’t the point of the book but also shows how diversity of a variety of types is really the foundation of putting together a group of semi-outcasts: the main friend group is all people who have made their main friendships online for a variety of reasons. And as I was writing that I realized I had to skim four years back through my reviews here because this book is reminiscent of WWW: Wake, but just so much better.

The one problem is my growing pet peeve with a lot of books and how it sets up the next book in the series immediately, the new mystery starting even before the main conflict concludes. I’m still going to read the next book as soon as it’s available in 2021, but I’m annoyed at the set-up.

Anyway, I definitely recommend this book, and if you have time to be browsing this review, then check out the short story immediately!

Sentinels of the Galaxy by Maria V. Snyder

NavigatingTheStarsNavigating the Stars (Sentinels of the Galaxy, book 1)
by Maria V. Snyder
2018

chasing the shadowsChasing the Shadows (Sentinels of the Galaxy, book 2)
by Maria V. Snyder
2019

Every so often I see that this author has written the start of a new series and I go to check it out. It’s always worth checking out and I really enjoyed this one, which is more science fiction than her normal fantasy, and also slightly younger with our main character still a minor under her parents’ guardianship. She also has all the internal emotional drama of a teenager while being remarkably mature about dealing with that emotional drama. I like her.

I also really liked the world building which has archeology and distant planets and potential aliens and reminds me of The Ship Who Searched by Anne McCaffrey and Mercedes Lackey. I was also reminded of Artemis but in the way of: this is how an extremely smart and talented but still inexperienced girl is written without being irritating.

One of the really interesting parts of the book, that’s both the premise and woven through the narrative is how the time distortion of space travel effects relationships and experiences.

The one downside of this book is that it does the thing that’s increasingly a pet peeve of mine: has only a minor conclusion at the end of the book, to create some sense of closure, while actually just being the first part of a larger plot arch. It’s annoying. However, in this instance, it worked and I pretty much immediately bought the sequel.

And then about halfway through Chasing the Shadows, the pandemic hit and my ability to concentrate on reading also took a hit. So I took a break and read a massive amount of self-indulgent fanfic instead before coming back to this and finishing it for completeness.

It was more of a slog than the first book, but that could very well have been just my state of mind. However, I’d noticed in previous series that Snyder’s first books are a lot better than her follow-up books as she delves ever more into complex world building beyond what the characters can support and raises the stakes of the conflict beyond what I can follow. However, it did end with an interesting twist that probably means that I’ll go back for book #3 in the series whenever it comes out.

Defying Doomsday

defyingdoomsdayDefying Doomsday
edited by Tsana Dolichva and Holly Kench
2016

It was probably not my best idea to read this anthology of apocalyptic and post-apocalyptic short stories while dealing with a local black-out caused by heavy storms. It’s the type of situation that’s all the worse for the stories being really well-written and interesting. Beyond just dealing with the apocalypse (“just”, I say), the theme that brings these stories together is disabilities.  The heroes and heroines of each story have some disability — physical, sensory, and/or mental.

The introduction made a really good point about how so many post-apocalyptic stories act like people with disabilities will be the first to die and are a burden to those around them. The stories in this anthology refute that. A few of the authors look at how something that our modern world calls a disability could well be an adaptive feature in a massively changed one. Most of them, however, look at how people who are used to living in a world that doesn’t cater to their needs have experience and practice that more abled people don’t get in our modern world. Reading my kindle by candle light was already highlighting to me how unprepared I was for any sort of harsh living: I live a very catered-to life.

I’m not going to write individual reviews about each story, although I certainly thought about it since the stories are all very good, but also all significantly different from one another. Instead, here are my top three:

“Something in the Rain” by Seanan McGuire is probably my favorite. I find the apocalypse situation particularly terrifying and I like the heroine the best with her ruthless perseverance. And spoiler: the cat lives.

“Given Sufficient Desperation”, by Bogi Takács, felt like a wonderfully subtle modern take on Gordon R. Dickson’s classic, “Danger-Human”.

“No Shit”, by K. L. Evangelista, is an subversion of a couple of classic post-apocolyptic tropes that also directly addresses the issue of how just the idea of roving bands of robbers would impact the people who survive.

The whole anthology a love song to the old adage: what doesn’t kill you makes you stronger. What doesn’t kill you can make you more broken, but it also gives you the experience of carrying on anyway. I definitely recommend it.

Artemis by Andy Weir

220px-Artemis-Andy_Weir_(2017)Artemis
by Andy Weir
2017

This book was fine. I enjoyed it. Mostly. But it had a series of flaws, some more serious than others.

For the good parts: it’s got a diverse cast of characters, and it does what most good science fiction novels do and takes some theories of how science could develop and looks into how those developments impact society. The ideas for how a moon colony would operate are fascinating, both from the science side and from the social side.

It’s also a bit of a heist story which is always fun. Where Weir’s first book, The Martian, was man-vs-nature, Artemis is man-vs-man, which opens up some additional opportunities for interesting conflicts.

But the man-vs-man story line generally needs you to like your characters and pick your side, and I was a bit thrown off by it ultimately being a conflict between a ‘good’ billionaire and a ‘bad’ billionaire. I guess the difference is that one kicks puppies and the other doesn’t? (Metaphorically, at least: there were no pets of any kind in this book.) And there’s ongoing commentary about how unions are like protection rackets that hurt the best skilled workers.

The main character, Jazz (short for Jasmine), is a fine point of view character except for the parts where she literally complains about how everyone is always telling her how much potential she has and offering her opportunities to develop her potential. (We should all have such trials and tribulations.) But she doesn’t take any of them up on the offers, and then feels betrayed the one time she can’t get a pass she wants because potential is fine but you actually need achievement to be successful. (This isn’t a spoiler, it’s the second scene in the book, which is admittedly before she starts complaining about people offering her opportunities, so isn’t quite so jarring until you think back about it.)

In the end, she’s so smart that she can do pretty much everything with just a little extra studying, and everyone is very impressed with it. There’s a level of wish-fulfillment meets entitlement that I find off-putting (also ignoring the difference between intelligence and education.) Weir is flipping a trope by writing it as a female character, at least, since mostly I see that as guys writing guys, but there’s only so much credit for that. Especially when paired with the narration about how she’s slept with so many men, but then the details seem to be that it’s only two men, both while in monogamous relationships (on her part at least.)

It all comes together like warning signs that Andy Weir might be going the way of Robert Heinlein and Orson Scott Card: talented science fiction writers who went increasingly extreme in being uber-conservative, with a side-order of sexual hang-ups. I grew up reading and enjoying their books, but I’m too old and entitled now myself to deal with that anymore.

Anyway, to sum up: The Martian was amazingly great and any next book of Weir’s would necessarily have a high standard to meet. Artemis didn’t meet that standard, but it’s no worse than many other science fiction novels I’ve read. I’ll keep an eye out for any other books he writes because The Martian was a masterpiece, Artemis was interesting, and two data points is a poor way to predict the future, but I’m not particularly optimistic.