By B. A. Paris
I’m not even sure how to review this book, quite frankly. I definitely enjoyed it, but it was listed sort of vaguely as psychological thriller, and while it is that, it also read as decidedly YA. And I don’t mean that as a bad thing!
Well, not all the way, at least. The characters are two-dimensional enough that I kept waiting for a reveal beneath the surface that never came. However, a plot switcheroo halfway through the book reminded me strongly of Gone Girl, only as it would be written for children. It’s not a sophisticated book, so the switch didn’t come as a total shock, but it was still very satisfying, which I think represents the book well.
This would be an amazing book for a young teen or precocious tween, who feels ready for adult books but should still be somewhat eased into them. There are a number of tricks and schemes that weren’t the most subtle, but I still really enjoyed them, just in a sort of bemused way. There is no sex (though some non-specific mention of sexual assault in the past), no drug use, or even much swearing. There is violence, as befits a mystery and psych thriller, but not gruesomely described. I would have loved it and felt so mature if I’d read it at 14 or 15! (I was not a precocious tween.)
Once I had a clearer realization of the proper audience for the book, I enjoyed it even more and stopped looking for hidden meanings or nuance that wasn’t there. That said, I was pleasantly surprised that the author gave serious attention to the protagonist’s trauma response, instead of brushing it aside or romanticizing it, which I’d half expected.