Sapphire Flames by Ilona Andrews

SapphireFlamesSaphire Flames
(4th book in the Hidden Legacy series)
by Ilona Andrews
2019

This series is something of a guilty pleasure for me and this is the fourth book and the first one about Catalina Baylor, sister to the prior main character, Nevada Baylor.

The reason this is a guilty pleasure is the set up, which is an urban magic world where about 150 years ago, there was a serum developed that gave people magical powers. (Or killed them, or turned them into monsters, but the survivors at this point have magical powers.) And this has created something of a three-tiered society, where there are civilians going about their daily lives with no magic, and living their lives much like anyone else in the modern day; there are magic-users who have a little bit of extra magical skill; and then there are the members of the magical Houses, where families have bred themselves into powerhouses and accumulated vast wealth and are essentially above the law and only counterbalance each other in particularly lethal ways. The bad guys are the people who are trying to destabilize this society.

In any reasonable universe, I would be cheering on the rebels trying to take down this insane society. Instead, I am agog to see what these high society magical killers are doing in their love lives.

The (purported) good guys are the super-handsome, super-wealthy, super-powerful, super-psychopathic killer, scions of these Houses who, despite being psychopaths who barely feel compassion for anyone else, are desperately in love with our main protagonists: lovely ladies who had once thought they were in the middle tier of magical civilians, but discovered their ‘hidden legacy’ that means they are actually extremely powerful and have now formed a House of their own.

Don’t judge me. I love these.

Unfortunately, I don’t love this particular book as much as the previous three (I still like it though!), because the narration keeps on trying to convince me that Catalina and Alessandro are desperately in love even as they deny themselves and each other, despite them having met for all of 15 minutes three years ago when she was 18 years old. He’s a high society heart-throb who she was able to cyberstalk on Instagram (while secretly being a James Bond style assassin maybe?), while there’s hints that he might have actually stalked her for a bit (wealth, power, etc, make all things possible), but the narration keeps on denying that it’s a crush, or simply lust, or obsession. It’s love! Which mostly means that there’s no character arc for them to fall in love because it starts out with the premise that they are both in love already, just pining from afar. My suspension of disbelief, which is normally quite strong, hit a snag on that.

But anyway, the world building is still fascinating and the action sequences are ludicrous and amazing and the dialogue is fun.

What I enjoyed even more is the prequel novella:

DiamondFireDiamond Fire
by Ilona Andrews
2018

This is a good segue between books three and four, as it covers the wedding of Nevada Baylor and Mad Rogan, and sets up Catalina Baylor as a main character who is about to have a lot of changes, and thus book four can happen after the three-year training montage implied at the end of this novella. But in the meantime, the novella itself is fun and a detective story because all of Rogan’s kookie/creepy/lethal relatives show up and then the family wedding tiara gets stolen and shenanigans ensue, with Catalina being conscripted as the detective.

The Purloining of Prince Oleomargarine

PrinceOleomargarineThe Purloining of Prince Oleomargarine
by Mark Twain and Philip Stead
illustrated by Erin Stead
2017

I saw this at a library book sale and it was a Mark Twain story that I had never heard of before and had beautiful illustrations so I bought it and then the sale was over so I sat down on one of the library benches and I read it and it is sweet and sharp and funny and pleasing. It also reminded me of The Princess Bride in the way it pulls back from the story periodically to remind the reader that it is a story and that the people telling the story have their own story happening.

And: I need to reiterate this: the illustrations are beautiful and make excellent use of white space.

So while this is a children’s story, it’s also an adult story, and even the children’s fairy tale section has some rather pointed aspects as one would expect from Mark Twain. Plus, the history of the actual book is incorporated into the background of the story in a way to intentionally blur the lines between reality and fiction.

But the history of the book is that Mark Twain wrote down extensive but incomplete notes for this story, and those notes were only relatively recently identified within his his archive, at which point the rights to co-author, finish, and publish the story were licensed out.

Anyway, this is very cute and I definitely recommend it, but I am sufficiently out of touch with children these days that I have no idea what the intended age range for it is.

A House of Ghosts

W.C. Ryan

House_of_GhostsThis novel is a murder mystery, spy thriller, and ghost story all in one, and manages to be laugh-out-loud funny, uneasily creepy when reading late at night, and solemnly poignant about the horrors of war. Any of these is a rare achievement, but combining all together make this something really unique. Set in England during the first world war, spiritualism is on the rise, as so many young men are missing/presumed dead on the front.

The Highmount patriarch made his fortune in weapons manufacturing during the war, but has since lost both his sons. In their grief, he and his wife have retreated to their remote island estate, which is converted from an old abbey and rumored to be haunted. They plan a house party over the holidays, inviting several spiritualists to attempt to make contact with their sons.

There are the charlatans, of course, like Madam Frey, with all sorts of tricks up her sleeves. But there are also the real deal, like Kate, friend of the family and ex-fiancé to one of the Highmount boys, who can actually see ghosts, but finds it so socially embarrassing that she hides it as well as she can. And there’s spiritualist Count Orlov, who can perhaps see ghosts but may find it more convenient to fake the séances?

Add to all that, some confidential weapons designs have been discovered in the wrong hands, and three undercover personnel, who have complicated relationships to each other, are suborned into attending the house party, under a variety of subterfuges, causing even more confusion.

Of course, there is also a light romance, which is so deftly done that I had to double check that the author is male. The two protagonists have a slow growing attraction toward each other, built on mutual respect and good communication, which is also awfully rare and a very pleasant surprise in novels.

Harriet Tubman by Catherine Clinton

HarrietTubmanHarriet Tubman: The road to freedom
by Catherine Clinton, 2004
read by Shayna Small, 2017

I put a hold on this book as soon as I returned from the theatre after watching Harriet, the movie, because it was an amazingly good movie and I wanted to know more about the history. Also because I wanted to know if the theme of Joan of Arc parallels was unique to the movie. As it turns out: no, the similarities were acknowledged during her lifetime.

I highly recommend this book.

Also, the audiobook version picked an excellent voice to read the book: clear spoken and academic but with a hint of a southern accent.

And that really typifies the book: it’s an academic biography of Harriet Tubman that addresses where the evidence and documentation comes from and where the holes in that evidence are and why, in a very direct and personable manner. We don’t know what year she was born because there’s no birth certificate and a possible ten year span. There’s a lot we don’t know about the Underground Railroad because anyone keeping records at the time would have been keeping records of their own criminal activity. Tubman struggled to get any sort of payment from the government for her services in the civil war because, despite being at that point a well-known celebrity, the bureaucracy demanded documentation that didn’t always exist. And the implications for how these issues effected other African-Americans is staggering because Harriet Tubman was well-known, well-respected, and well-remembered by highly ranked military personnel.

Apparently during the civil war there was a third category of African-Americans that I had never heard of before: Contraband. These weren’t free blacks or slaves, these were “contraband” who had been confiscated and/or escaped from their masters but were still considered possessions rather than people in the eyes of the law. The whole thing really highlights how insane the slave era was, (and how insane the white supremacy era continues to be.)

Anyway, Harriet Tubman was amazing and doing her best as she could, and her life is an example of: do what you can, when you can, and you can move mountains… but there will always be more to do.

But also, risking your life to change the world doesn’t always end with death, even for someone so similar to Joan of Arc: Harriet Tubman Davis died free, of old age, in a house she owned, surrounded by family, as a cherished and celebrated member of her community.

Carols and Chaos

By Cindy Anstey

Carols_and_ChaosSince Rebecca is still catching up on reviewing holiday reading, I figure I can, too. I thought this would be a fun cozy mystery/romance for the holidays, and it could have been…if only it had been written a little better. Anstey has real promise as an author, but the writing needs more polish. We’ve found on this blog that while it is easy to review books we either loved or hated, it is really difficult to write about books that are just mediocre.

On the one hand, I liked the details of life “downstairs” as the central romance and mystery centers around a lady’s maid and a footman attached to two different households visiting for the holidays. (I’ve gotten more into books centering servants or other lower/middle class characters, and Rebecca and I were pondering whether that’s gotten more popular in general as our society loses patience with the wealthy.)

On the other hand, all the descriptions felt a bit like just throwing a bunch of adjectives at a paragraph to see what sticks:

“The driver was not Mr. Niven; he was a young man with broad, muscled shoulders, freckled cheeks, and a Grecian nose. Kate watched as his thin lips curled up in a sardonic smile, and then he dropped the reins and jumped over the bench and off the back of the bouncing wagon. He landed hard, spilling onto the road, and knocked his tartan cap off. A shock of red hair was exposed, looking bright against the fallen snow.”

Between the descriptions of shoulders, cheeks, nose, lips, hat, and hair, it all started to remind me of my favorite Mitch Hedberg bits, and this sort of writing made it difficult to picture the characters and events, much less empathize. The mystery itself got a bit lost in all the descriptions, too, so that it was difficult to piece together exactly what were important clues and what were added just for ‘color’.

I realized afterwards that the book is considered young adult, which explains both the glossary of period-specific terms in the back and the occasional diversion in the text to randomly explaining historical details. Perhaps this would have been a fun new series of books for me 30 years ago.

The Short Story Advent Calendar 2019

advent calendarThe Short Story Advent Calendar – 2019
https://www.hingstonandolsen.com/

This was a very cool concept by the publisher and a great present from @bookdom. Thank you, Anna!

25 unlabeled short stories to be read as an advent calendar from December 1st through December 25th. They came in a boxed set with each story is bound and sealed with its own individual cover listing only a number. Sweet! 

2019-advent calendarI love the concept! The implementation, alas, was a bit rough.

Only four of the stories were Christmas-themed, and I only actually enjoyed seven of them. The stories tended to be “literary”, which made me think about what “literary” really means to me. I had started out with the definition of “miserable people living miserable lives”, but then expanded it to, “miserable people living miserable lives written by an author who dislikes the world.” And then expanded that to, “… an author who dislikes the world but is proud of their dislike, because it’s ‘realistic’ rather than ‘niave’.”

One of the commonalities I kept on running across is that the main characters, dealing with a variety of their own issues, would look at someone else walking down the street or sitting on a bus or whatever and say in the narration: that person has dead eyes and no understanding of the world or philosophy or whatever, that person has no interior life.

To which I think: there is no person in the world who doesn’t have their own life, their own story. It’s ignorant and disrespectful to pretend otherwise. That random person may not be pivotal to whatever the current story is, but don’t pretend they don’t have their own story.

But while I only enjoyed seven of the stories (and even those could be a grind near the end, to get over my own expectation of dislike and give each story a fair chance to be appreciated), it was still interesting to see the different ways in which the authors were experimenting with the genre. The ways the stories were similar to one another, was often terrible, but the ways in which they differed had the potential to be fascinating, even, or especially, if sometimes I could tell the author was trying to accomplish something but couldn’t quite figure out what.

Anyway, the stories varied between 7 and 30 pages long, and each day, the website got updated with a short discussion post about the story.

To sum up: I would recommend this as a whole compilation to anyone interested in the craft of writing because it’s a great opportunity to see a lot of short trial runs, and decide which you think work and which you don’t and maybe be inspired to do something similar (but better.) But overall I disliked the stories. In case you were wondering, the stories I thought were actually good were 3, 7, 9, 20, 22, 24, and 25.

Also, I loved the concept and I wonder how hard it would be to put together my own advent calendar of recommended short stories for next year. I might need to make the attempt.

Fanfiction: The Untamed/GoDC edition

I have now read a lot of fanfic for The Untamed / Grandmaster of Demonic Cultivation. I figured it was time to make some recommendations here for some of the best of them. It was extremely hard to weed it down to just four, and I had to struggle to try to keep them solidly distinct from one another (there tends to be a lot of overlap in fanfic) and generally happy (canon gives a lot of opportunity for angst). And not too explicitly graphic, although I compromised that one a bit.

So here are my four recommended fanfics, in order chronologically through events and also in order of humor, from heart-wrenching to hilarious:

   DURING CANON, there’s always going to be a certain amount of angst:

Devoutly to Be Wished
by yunitsa
word count: 3,032

Summary: Five (and half) times Wei Wuxian fantasies about Lan Wangji, and one time he doesn’t have to.

Why I recommend it: I was going to keep this list of recommendations strictly non-graphic and then I realized that I had to include this one because it’s a gorgeous and heart-breaking look at the main character and his desire for his beloved as he grows and changes.

   IN THE MISSING YEARS, there’s a surprisingly less angst:

Scapegoat
by astrobandit
word count: 1,325

Summary: four ridiculous things the Yiling Patriarch was blamed for, and one ridiculous thing that was positively his fault.

Why I recommend it: The canonical storyline switches between the past and the present with a good decade in between the end of the past and the beginning of the present, and in that time Lan WangJi appears to have decided that he has no more fucks to give and it is glorious. This story is a few very short vignettes that show just how done with everyone’s idiocy he is. Glorious!

   IMMEDIATELY POST-CANON, specifically to the TV show

The Absolutely True Story of the Yiling Patriarch: A Manifesto in Many Parts
by aubreyli
word count: 19,692

Summary: In which the junior disciples (namely, Lan Jingyi, Ouyang Zizhen, and a reluctant Lan Sizhui) turn to RPF in an attempt to rehabilitate Wei Wuxian’s reputation so that he and Hanguang-jun can get together and get married and live happily ever after. It’s… surprisingly effective.

Why I recommend it: This is both beautiful and hilarious and does an amazing job of capturing that dichotomy that’s also present in the original story of balancing humor and drama.

   FURTHER POST-CANON, our main couple are an established couple and dealing with other things:

A Civil Combpaign, and it’s companion, Besieged
by Ariaste
word count: 31,015

Summary: “And,” said one of the pompous ministers, “there’s the matter of a marriage to consider as well!”
Jin Ling, who at the beginning of that sentence had expected to slam into the very last wall of his patience and lose his temper entirely, paused. “A what?”
Thing was… it wasn’t such a bad idea.

Why I recommend it: This is side-splittingly funny. I had to struggle through some second-hand embarrassment but it’s worth it because this is the most awkward courtship attempt ever between two of the younger generation with our main couple established and looking on. And Wei Wuxian’s perspective on it all is an utter delight. Also, in some ways, this version of Wei Wuxian reminds me of Eugenidies from The Thief.