By Nghi Vo
Nghi Vo must have had this novel in the chamber ready to go, because it was published mere months after The Great Gatsby left copyright in January 2021. So, to brush off my decades-old literature degree, The Great Gatsby is basically a character study of one man, the titular Jay Gatsby, and the character is also more a metaphor for the corrupting deception of the “American Dream” than an fleshed out person. There’s a lot of room to fill out the lives, thoughts, and feelings of all the characters, and Nghi Vo does that very well.
The narrator is Jordan, the thinnest of the central five characters in the original, so with the most room for creative exploration, and Nghi Vo sure takes advantage of that! She’s now Vietnamese, adopted as an infant by a wealthy white missionary, and now in young adulthood doing her best to ignore anything that makes her stand out from the other bright young things. She is also untrained but agile in the Eastern magic of paper cutting, and this magical element is what really diverges from the source.
It is mostly incidental to the plot but fascinating, and there were several times where I wish the novel had thrown out the source plot entirely to just explore this magical and much more diverse world. On the one hand, the multi-dimensional Jordan, Nick, Daisy, and Tom are more interesting to read about in detail (Gatsby remains a bit of an enigma); on the other hand, those details somewhat undo the pivotal central message and theme of the original.
The very act of adding dimension negates the sense of a flat façade that Fitzgerald created, but Nghi Vo also plays with that idea in interesting, and occasionally very literal ways, as with the magical paper cutting creating animated illusions. I think in the end, I found the book more interesting than enjoyable, and not up to the very high standards of her previous two novellas, which Rebecca reviewed last year, but with all that, I still think it is well worth the read.
When the Tiger Came Down the Mountain
by Nghi Vo
This is a companion novella to The Empress of Salt and Fortune, not a sequel or a prequel, but a companion: another experience of Cleric Chih. It doesn’t have the same calm mood of the other, and I didn’t enjoy it quiet as much, but it’s still really very good and a fascinating story that deals more directly in the magical realism of this world. It’s also another beautifully crafted example of complex story telling with both a framing story and an interior story. It felt like a combination of Scheherazade and Rashomon, as it deals with the use of storytelling as a way to survive the night and with conflicting versions of the same story.
I definitely recommend it.
Also, a minor spoiler:
The Empress of Salt and Fortune
by Nghi Vo
I can’t remember how this book got onto my to-read list, and it was there for a while before I got around to starting, but I’m glad I did. It’s lovely. It’s quite short – only 120 pages – but it’s beautifully, almost lyrically written. It’s also really interesting as an example of story crafting. The tone and the content of the book are in such stark contrast.
The tone of the book is very calm and quiet — contemplative, almost dreamlike. The world is a casually magic ancient China: there’s magic and mysticism, but it’s not the point of the story and it’s not particularly relevant, it’s just how the world is. An archivist cleric with a bird companion arrives at an old estate to make records of it, before moving on to their next assignment. The only other person there is an old servant woman. That’s the story.
In contrast, the topic of the book is the Empress of Salt and Fortune. She has recently died after a long and successful reign, but this old estate that the cleric is taking records of is the place of exile where she had lived for six years as a young woman before she came to power. The old servant woman, Rabbit, was her companion in those years. The empress is an amazing character: delightful and complex and ruthless and clever, and her plotting is dangerous and deadly. And the reader and the cleric learn about her from seeing the estate and hearing Rabbit’s stories.
In some ways this book reminds me of The Hands of the Emperor in that all the massive political upheavals happened in the past, all the anxiety gone and all the grief muted by time. In some ways it reminds me of Iron Widow in the way the empress is ruthless and vicious and hurting and victorious. And of course all three of them are about taking power and surviving. But it is also very much it’s own story and a fascinating read. I definitely recommend it.