By Hanif Abdurraqib
Hanif Abdurraqib is very smart and funny on twitter and instagram, but I was unprepared for just how deep his collection of essays would go. When Rebecca asked what it was about, I said “essays discussing different musicians and albums,” which is such the tip of the iceberg as to be completely misleading.
Abdurraqib is first and foremost a poet, and it shows in these essays. Every word is carefully chosen, which leads to very dense and evocative prose, and slow but engrossing reading. Just about every essay starts with a musician or album (ranging from Carly Rae Jepsen to Future*), and uses that music as an access point to discuss something about humanity or society that the music is trying to address.
As a black boy growing up in Ohio and super into the punk scene, and then an esteemed music critic trying to sell all his friends on Jepsen, Abdurraqib is well experienced in finding his own place in scenes that are not often created with people like him in mind. He talks about the tension that often exists between the artist, the art, and the audience, any of which can be alternately be welcoming or alienating. The funny thing is that Abdurraqib talks about music in such a way that I got all excited to actually listen to it, but then it inevitably wasn’t as interesting or complex as his analysis. So, while I didn’t get introduced to any new favorite musicians, I’m definitely keeping tabs on Abdurraqib’s future writing.
*It took me a good five minutes of flipping through the book to select two, since I kept being like, oh, I should mention The Weeknd; no, My Chemical Romance; no wait, Migos; or Fleetwood Mac, etc. etc. Abdurraqib has an awe-inspiring range of interests!