A Novel of Midnight, Texas
By Charlaine Harris
I enjoyed Charlaine Harris’ True Blood series, both the books and the TV show, at least the first few issues of each, so I figured I’d check out her Midnight, Texas series. I watched the pilot episode and the characters and acting were all flat enough that I couldn’t stay engaged, but I was curious enough about the mystery itself that I decided to try the book.
Well, if the protagonist was blandly irritating in the TV show, he’s downright dislikeable in the book – self-centered, arrogant, and deeply uncharitable toward the other characters. Manfred is a psychic – mostly scam artist but with the occasional true sight, which is of absolutely no help in this first book – who needs to lay low for as yet unexplained reasons. The ghost of his grandma directs him Midnight, a simple crossroads of a town in Texas just chock full of eccentric characters.
I sort of assumed he was starting off unpleasant to create an arc of finally realizing his place among all the other supernatural weirdos in town, but it never really materialized. If anything, the other characters got increasingly unlikeable as the book went on.
We first meet Manfred’s landlord, Bobo, who initially seems attractive and pleasant, but then increasingly “naïve” to the point of stupidity. His girlfriend has disappeared, without leaving a note or taking any of her things, and he is currently bummed about being run out on. Of course the girlfriend is soon found dead in ditch, and his “aw, geez, I’m just so sad my girlfriend is gone, but there’s nothing to be done about it” attitude naturally makes him the prime suspect.
Manfred is our primary protagonist, but a good chunk of the book is also told from the perspective of his next-door neighbor, a self-identified witch named Fiji, who is quickly established as the heart of the community and I guess this story. She has been secretly pining for Bobo for years, and quickly mobilizes the community in his defense. I would have liked Fiji a lot more if she hadn’t had quite so constant an internal dialogue about how much she didn’t care that she was “curvy,” and “softer” than the other women in town.
Harris’ writing is always on the pulpy side, but this one seemed especially thinly sketched out, even for her. It was written just a few years ago, and I wonder whether her success in television has led her to focus more on that. With the concentration of varied ensemble of characters and sort of loosely tied together action scenes, it reads much more like the outline for a script than a novel to me. Unfortunately, it didn’t make for an engaging show, either.