Private I
By Emily Willis and Ann Uland
Private I is about a gay private detective in 1940s Pittsburgh who teams up with a wealthy young society lady to investigate her sister’s death. As Rebecca said, it is pretty much perfect for me! It is not the most polished in either writing or illustration, but that’s not really what the Small Press Expo is about. There are several actual small presses with a small line of carefully curated comics, but even more of the exhibitors are individual creators, who self-publish and offer the highest quality they can afford. What I got is a printed ‘zine’ style comic of Chapter 1 of a web comic, which I’m now very much looking forward to following.
Run With Your Demons
By Isabella Rotman
This is a tiny little comic, about 6” x 6”, that is also a lovely webcomic. It is not so much a story as a bit of motivation on how to deal with all the negative voices in your head, but I really liked the unexpected nature of how Rotman represents internal voices vs. internal resilience.
Your Black Friend
By Ben Passmore
Rebecca and I attended a panel for the first time, one on reporting and journalism in a comic format. It was really interesting, and I heard later that it was one of the better panels. Ben Passmore was one of the panelists, talking about how he’s narrated his experiences in current civil rights protests. After the panel, I went to his table and picked up Your Black Friend, which is a short book sharing what he would like to be able to tell his white friend about his experience as a black man but doesn’t feeling comfortable saying. It is simply written and constructed, but extremely effective.
The Nib
At least two of the panelists also work for The Nib, which collects political and nonfiction comics, with a liberal bias, of course. I’ve talked about this before, but one of the things I really appreciate about nonfiction comics is that they can make topics accessible that normally seem too complicated or fraught. One of the panelists touched on this from the creator’s perspective, saying “If what I’ve written is too wordy, it is a sign that I don’t know it well enough to really explain it.”
You know how sometimes you want something interesting and different from what you’ve read before but also still want the same comfort and satisfaction as you get from those familiar books? I have to assume that I’m not the only reader chasing this catch-22.
I am Raymond Washington
This book should be terrible. The premise is that a high-school dropout goes to community college and enters the college’s “Big Brother”-style reality show, which sounds agonizing, right? I hate both coming-of-age stories and reality shows, but I loved this book!
I’d heard the title How to Talk to Girls at Parties around a bit, but it had sounded a little too pickup-artist-y for me. I hadn’t realized that it was a short story by Neil Gaiman, but I’ve lost some confidence in him lately. It’s a bummer, but many writers who were at the cutting edge of the feminist movement, pushing equal representation forward, have seemed to get stuck in their own hayday and been left behind by the advancing social mores.
Trashed is pretty much the diametric opposite. You really couldn’t get much more mundane than this “ode to the crap job of all crap jobs,” to quote the front cover.
This post-surgery recovery is not kidding around, and I’m still not quite up to reading plot-based books. Luckily, I ran across this memoir of a flight attendant, which is basically just a chatty string of anecdotes about a world I didn’t know anything about before.
I was about a 100 pages into Kinsey’s recommended 
Fire Monks: Zen Mind Meets Wildfire at the Gates of Tassajara