By various authors
I’ve been having a bit of a reading crisis lately. I’ve started three different books and can’t seem to get past around the midway point. It’s not the books’ fault – I mean they aren’t stellar or anything, but there wasn’t any clear reason for my lack of interest. My best explanation is just that the news has been so inundating and depressing lately, and I can’t seem to stay off twitter, and I’m just all worn out.
So, I figured I’d recharge with a fluffy collection of short stories! Just a bunch of cute first romantic meetings sounds comforting, right? Well, I didn’t exactly get what I was looking for. They for-sure cover the meet part, but most of the authors seem to have forgotten the cute part. About half (okay, only a quarter of them, but it felt like half) the stories feature someone in mourning for a dead loved one, like only through grief are they vulnerable enough to accept love, and it is a real bummer.
On the plus side, they mixed it up with good diversity, in ethnicity, gender, and sexual orientation, so that’s something at least. Here’s some cold, hard data:
- Short stories included in anthology: 14
- Stories involving grief over the death of a loved one: 4
- Stories featuring high-school bullying: 3
- Stories with a main character older than 25: 0
- Stories that my cranky old self actually thought were cute: 3.5*
(none of the death or bullying ones)
*3 stories were straight-up super cute, and one had a very interesting premise, but the characters themselves weren’t super engaging.
By Emily Lloyd-Jones
This was a tough read honestly. It is a moderately well-written YA fantasy novel with a great title and an interesting premise. Demons are real and will grant wishes for people in exchange for a body part. Small requests cost a finger or toe, and they go up to a hand or foot, to an arm or leg. The body parts appear to get taken in a supernaturally clean amputation, and there doesn’t seem to be much lasting physical pain to the process.
Our protagonist, Dee Moreno, is desperate for the money to pay the tuition for her boarding school, which is the only thing that keeps her out of her parents’ abusive home. It seems likely this would have cost her a foot, or an arm at most, but unfortunately for her, she meets a demon who transacts only in hearts. Which of course sounds appalling, and everyone is appalled, but here’s the thing: he takes the heart on a two-year contact, during which Dee must run errands for him. Admittedly, they are life-endangering, supernatural errands, but after two years she gets her heart back. Which sounds like a much better deal than losing even a toe for life.
She joins four other teenagers, who have also lent out their hearts to run this demon’s errands, and of course one of them is a quirky, sensitive artist boy. Dee spends a fair amount of time mulling over her heartless state, though it doesn’t seem to prevent her from falling for the obvious romantic lead, and I spend a fair amount of time mulling over how I’d probably lend out my heart for two years just for the favor of not having to feel anything for two years. Which made me feel old and sad, but is probably not ultimately the book’s fault.
(I do still fully blame the book for telling, but not showing, any real consequence to being ‘heartless.’ Every time the book emphasized the awfulness of it all, I kept thinking how angry I would have been to have given a limb without knowing that the heart was an option.)
Waaaay back in 2012, I wrote a review about the first book in a new YA fantasy/mystery trilogy by Maureen Johnson. I really liked The Name of the Star but at the time the rest of series wasn’t out yet. Books two and three are now available, and I recommend tracking those down for a good supernatural mystery. Johnson’s latest book is also a mystery, but it takes a slightly different, non-fantasy angle on things. Truly Devious follows two different story threads–in the present day teenager Stevie, a true crime aficionado, is starting the year at an exclusive and unusual boarding school that was the site of a notorious crime in the early 1900s. She wants to solve the historical crime, but gets swept up into a present-day mystery. But while we watch Stevie try to figure out what is going on in her world, we are also following actors in the original mystery and slowly uncovering what actually happened when the wife and daughter of a wealthy industrialist were kidnapped.
The downside of Truly Devious is that it ends on a cliffhanger with basically no resolution, and there isn’t even a publication date for the next one. This is clearly going to be a single story told over several books, but who knows when it all might wrap up. But this was a quick read with an engaging story and it would be perfect to read on a dark and rainy evening, since it’s a little creepy but probably won’t keep you up at night.
Also, Maureen Johnson is super fun to follow on Twitter (@maureenjohnson), where she is very funny and also posts lots of cute pictures of her dog. Plus, she just edited a YA essay compilation called How I Resist that looks really inspiring, that I may have to go track down.
Kinsey’s Three Word Review: Creepy, on-going mystery
You might also like: One of Us is Lying by Karen McManus is a fun teenagers-solve-a-crime story, and if you’re looking for a quirky boarding school book, Looking for Alaska by John Green is a classic. The recent TV show about the Getty kidnapping called Trust also gets at quite a few of the period-piece thriller aspects of this. But considering that this is the story of someone obsessed with true crime, my main recommendation is the podcast My Favorite Murder, in which two mystery-obsessed women tell the stories of famous crimes to each other. Just this morning I was listening to an episode this morning about the kidnapping of the Lindbergh baby, which feels like it was a bit of an inspiration for the historical crime in this book.
Way back in early 2016 Anna wrote a review of a book called Everything Everything by Nicola Yoon, and almost surprised herself by really enjoying the sweet YA romance/coming-of-age story. I liked that book as well, and I’m here to tell you that Yoon’s follow-up The Sun is Also a Star is even better.
I had looked at the book several times but was always a little put off by the plot summary–two teenagers meet one day in New York and feel an instant connection, but she is about to be deported and what kind of future can they have? In our current political climate even thinking about immigration issues makes me feel sort of sick, plus I tend to be a cynical old lady about teenage love in first sight stories. But when I ended up desperate on a cross-country flight and decided to give this a try, I ended up reading the whole thing in one sitting and loving it. The characters both feel very complete, their relationship feels organic, and Yoon does a great job setting the scene so that it feels like you’re out there walking around with Natasha and Daniel on the New York City streets.
The book also features this interesting little element where every now and then you get a flash forward or a flash sideways, I guess you’d say, to what a supporting character has going on in their lives or what will happen to them in the future. It’s a lovely effect that makes the story feel more expansive and universal than it would otherwise.
This is a quick read, and would be great for the beach or a plane or just when you need to feel a little bit better about the world.
Kinsey’s Three Word Review: Enchanting, challenging romance
You might also like: Any number of other fabulous YA romance/family stories out there including Nick & Norah’s Infinite Playlist (always a classic!), The Gentleman’s Guide to Vice and Virtue (which Anna mentioned back in March), Far From the Tree (this one will make you cry), and Simon vs. the Homo Sapiens Agenda. And if you haven’t already seen Love, Simon, the movie based on that last one, I cannot recommend it highly enough–it was completely charming and featured great music by the Bleachers. It is going to be one of those movies like Easy A that I will be delighted to stumble upon on cable on a rainy Saturday afternoon and will be able to watch an infinite number of times.
By Alex Mandon
Inspector Guillaume Devré is a closeted gay man in Paris in 1900. He is also extremely cranky and a bit authoritative, so I had less sympathy for him than I’d expected. He’s still an interesting character: torn between his drive for truth and justice, and his own necessary deception.
His investigation of a murdered man almost immediate takes him to “the infamous, most celebrated woman in all of Paris…known as La Balise.” La Balise, aka Lucie-Geneviéve Madeleine, is a famous courtesan, and treated by the media, at least, as a cross between a super model and a rock star. She has a Past, that is alluded to, but not explained, and is also an utter delight!
The mystery itself takes many twists and turns, left me guessing the entire time, and is satisfyingly scandalous in the end. There were also enough teasers of the various characters that I have high hopes of future mysteries featuring the detective and the courtesan, not to mention the terse American forensic pathologist they both admire.
Since no sequel has yet appeared, here’s a recommendation for another historical novel featuring gay protagonists, though much different in pretty much every way:
The Gentleman’s Guide to Vice and Virtue
By Mackenzi Lee
I think this might be the type of YA romance that we will see more of, written by and for the millennial generation, and I have to say, I’m here for it! Though it is set in Regency England (and Europe, as the main characters embark on their Grand Tour), it to an extent anachronistically inclusive of diverse races and sexualities. I had a moment of GenX crankiness over it until I realized that no one (including me) is reading this book to get a detailed historical look into the time. It is sweet, flirty, swash-buckling, and just a whole lot of fun!
All Rights Reserved
by Gregory Scott Katsoulis
This book is terrifying. It’s good and I recommend it, but like many such YA novels, it’s set in a dystopian future and it’s a particular dystopian future that I am deeply concerned with.
For some background:
US copyright law was first established in 1790, allowing authors to register their books for a seven-year monopoly on publication, to allow the authors that long to make as much profit as they could before they had to shift their focus to a new creation.
Ever since then, the copyright protections have been creeping to allow creators longer monopolies and pushing back any content going into the public domain to help and assist other creators or just be available to the public for free.
The Copyright Term Extension Act (colloquially known as the “Mickey Mouse protection act” because Disney was so scared of Mickey Mouse entering the public domain) was made law in 1998, and that degrees that all content is automatically copyrighted (no registration or even intent required) and content remains under copyright for 70 years after the original author has died. Great grandchildren can now hold monopolies of their ancestors’ creations… no need to make new content at all.
Meanwhile, what exactly copyright covers has also been expanding: originally it literally just covered the text itself. Translations were not infringing copyright because they were literally changing the language. Characters and settings were free to use. Now sequels and spinoffs are all infringements. Organization for Transformative Works is currently battling just to allow people to freely write fanfiction for purely recreational purposes.
The “fair use” exception was added to copyright law allowing some leeway for people to use excerpts except that one of the ramifications is that it shifts the burden of proof. Historically, a copyright holder had to show that someone had been infringing on their copyright, or they couldn’t sue: innocent until proven guilty. Now, the copyright holder can sue based on any use at all, and the person using it has to prove that their use fits the exception: guilty until proven innocent.
I know less about Patent and Trademark law (the other two main branches of law concerning intellectual property) than I do about Copyright law, but I expect they’ve gone through similar slow transformations.
And I’ve certainly become increasingly aware of how often my purchases aren’t actual purchases, but are legally “lease agreements”. You don’t buy Kindle books or iTunes songs or Microsoft software anymore: you lease the use of them, with restrictions in place. There are definitely rights reserved on those things.
Back to the book:
So in this novel, we’re presented by an America™ that has continued to change intellectual property laws to such a point that words and phrases and gestures are each individually copyrighted and royalties are due for any use of them.
Everyone is tracked and their words and actions monitored to ensure they are paid for. Going into debt means being taken away to work short lives as field labor or indentured indefinitely to anyone interested in buying that debt. Everyone makes some money by being sponsored by various companies to advertise for them. (Rich and/or pretty people get better sponsors.)
Our main character Speth Jime (her first name is a discount name that doesn’t cost too much to say, her last name was probably originally Jimenez except it was too expensive and shortened generations back) turns 15 at the beginning of the book, the last day on which she can speak freely. After that, when a friend commits suicide, she can’t even afford to scream. Rather than make her first speech as an adult (full of product advertisements) she goes completely silent.
The narration shows Speth’s thoughts, but she has no way to communicate with those around her, even as they talk to and at her.
Plot-wise, it feels a bit like The Hunger Games, really, as people try to either ally with her or take her down and giver her suggestions that she has to figure out whether or not to follow. There’s a happy ending (with more than enough loose ends to warrant a sequel), but it’s a nerve-wracking and heart-breaking trip. The cast of characters are interesting and well-developed and diverse in a variety of ways, and Speth is amazingly relatable in the way she’s just become this icon of rebellion that she never intended as anything other than a reaction to personal trauma. The book wouldn’t have held together without the characters being so relatable, but where the book truly shines is the world building. The dystopian world is terrifying as it shows how difficult systematic oppression is to fight, and how easily rights can be worn away and the lack of those rights then normalized.
So very good, and packs a serious punch.
It will definitely make you think the next time you mindlessly click “agree” on a terms of service contract.