Daughter of Smoke and Bone

By Laini Taylor

Daughter_of_Smoke_and_Bone This is a little embarrassing. Kinsey has recommended this book multiple times on this blog, and even gave me a copy, but it took me three tries to get through it. It is actually very good, but it starts with some of the most Mary Sue you’ve ever read. Our heroine, Karou:

  • Is 5’ 6” but seems taller because of her willowy ballerina’s build, with slender neck and long limbs
  • Has long hair that grows out of her head a bright blue
  • Has a gorgeous, older ex-boyfriend, who wants to get back together and over whom all the other girls sigh
  • Attends a high school for the arts in Prague, where she paints such imaginative images that all of the other students gather around each morning to see her daily sketchbook

Multiple times, I gave up in the face of such blinding impressiveness right off the bat. I couldn’t imagine what else the author had left to unveil down the road, and I wasn’t sure what she could do to make me actually like Karou. It turned out that her being attacked by a killer angel did the trick!

So, once I got over sulking over the heroine, I was intrigued by the very unusual hidden world that slowly reveals itself over the course of the book. And while I stayed a little aloof from Karou herself, I was charmed by the wide variety of other characters. For people who don’t have as big an issue with Mary Sue-ism as I do, I can unreservably recommend this book; for those that do, I still recommend the book, actually – I did eventually enjoy the whole story, though sort of grudgingly throughout, and I admit that was entirely due to personal bias.

—Anna

DC Noir

Edited by George Pelecanos

Book Cover: DC NoirI’d checked this book out way back in Boulder, when we were first thinking of moving to DC because I thought it would be a fun introduction, but then I got busy with all the moving stuff. However, now I’m feeling pretty DC noir myself, so I figured I’d give it another go.

This is part of a whole series of [City] Noir books, so if noir mystery is your thing, you might want to check whether the Akashic Noir series includes your city (there is an incredibly wide range of cities, and not just confined to the US, either).

I’ve complained before about authors not getting “noir” quite right, thinking you can just slap on a bunch of the more obvious earmarks, but reading these stories helped me refine my thoughts on it. Too many people think that noir is about how horrible people can be to each other, but in really good, nuanced noir, it is about how decent people struggle to stay that way in a general horrible world. So, while there are very often horrible people in noir, they are usually side characters and may well also be originally decent people who have failed in their own struggle. Of course, making a whole universe that is generally grim and destructive is a lot more difficult than just throwing some unexpected murderers in there, and that’s why noir is a true art form.

Some of the stories here got it and some didn’t; while I would say that the ones that missed the mark outweighed the one that just got the true noir feeling, those with the right feeling were awfully good (though depressing, of course).

The stories were set in a wide range of different neighborhoods, and while there’s a few set in wealthy neighborhoods, most are set in the poorer ones. (And, as a sort of funny aside, I’m currently apartment hunting once again, and thought I’d found a very reasonably priced townhouse until the neighborhood it was in showed up in one of the stories here. When I texted Kinsey, just to confirm my suspicions about the neighborhood, she just texted back “NO.”)

Anyway, the stories also spanned different time periods, which threw me off sometimes – a lot of them, of course, wanted to focus on DC’s most crime-ridden times, and some of them were sort of indeterminate. One of the stories began with riots caused by a black cop shooting a handcuffed Hispanic suspect, and except for the respective races, that seemed very current. My favorite story featured one of the more radical black power movements taking on the mob in the 60s.

Only one of the authors in the collection is female, and only two of the stories had a female narrator, which was a bit of a disappointment. There is a DC Noir 2, though I think I may instead want to check out some of the other cities, possibly Dublin Noir, since that sounds pretty interesting.

—Anna

Being Mortal

By Atul Gawande

Book Cover: Being MortalI wish this book had been written two years ago.

My mother told me recently that when Thomas was ill, it was very clear that I was in denial, much more so than Thomas himself. I wish so much that any of the many doctors and nurses had broken through my denial to force me to face the reality, but I can only be so mad at them because maybe some tried but just couldn’t reach me.

This book is all about how important it is to face the end our lives, whenever that time comes, honestly and directly, and offers suggestions for easing the fear and pain at the end for ourselves and our loved ones. Gawande talks very openly about how difficult this can be for both the patient and the physician, and his own failures and successes as both a patient and a physician. (Some of the many anecdotes in the book are about his family coping with his father’s terminal illness and eventual death.)

So, the subject matter is upsetting at some times and comforting in others. He reveals ways in which the medical and elder care industries have disconnected from treating actual people – with much higher priority being given to longevity over quality of life. He also showcases some incredibly innovative solutions that are currently being attempted, with some very funny stories about the trial and error process, including a delivery of 100 cageless parakeets in one instance (this turned out to be a success).

All in all, Being Mortal is just an incredibly important book. I am quickly turning into an Atul Gawande fanatic because I remember feeling the same just after reading his earlier book, The Checklist Manifesto. He has this way of taking material that should be incredibly boring or unpleasant to read about and approaching it through a very human way that makes it easily accessibly and engaging.

—Anna

Kindred

By Octavia Butler

Book Cover: KindredBefore reading Kindred, Connie Willis’ Doomsday Book was the most painful time-traveling book I’d read, but boy does Kindred blow it out of the water. (I’d also previously only read one book by Octavia Butler, Fledgling, considered by herself and everyone else to be her ‘lightest’ book by a long shot.) The basic premise of Kindred is that Dana, a young African-American woman from contemporary times (1970s, when the book is written), is pulled back to a slave plantation several different times in the early 1800s in order to save the life of the plantation owner’s son.

I think we can all acknowledge that the current news has made it increasingly clear that there is a white world and a black world in our country, and even sympathetic whites can’t understand what it is like to live in the black world. Reading Kindred shares some of the sense of what it must be like, though: for every interaction with a white person, even one trying to be kind, to have the possibility of death hanging over it. I was so scared for Dana all the time, and the tenseness of reading the book was exhausting, and about halfway through, I realized that this tenseness and exhaustion is not something confined to the antebellum south at all. So, while it was painful to read, it is also incredibly important, and I was so grateful to Butler because I can’t think of another author that could have communicated this feeling to readers so well.

The kind of funny thing about it, though, is that there are really three time periods: the 1810s, the 1970s, and 2015 for me, as a reader, so there’s that layer on top. Sad to say there doesn’t seem to be a huge difference in race dynamics, but the gender dynamics of the 1970s were occasionally different enough to give me pause, though that was more towards the beginning of the book when she and her husband were confused about what was going on.

It felt like it ended a bit abruptly, but I think that is more a testament to Butler’s writing than anything – I was so deeply involved in the story that coming to the end would have felt jarring no matter what the ending was. I will give this very minor teaser spoiler for people who might be hesitant about the book: it doesn’t end nearly as badly for Dana as I’d expected it to, given that the very first sentence in the book is “I lost an arm on my last trip home.”

—Anna

Twitter links

I’m currently reading a couple of Kinsey’s recommendations, so in the meantime, I thought I’d pass along a couple literature-related twitter feeds for recommendation:

Guy In Your MFA (@GuyInYourMFA)

Profile summary: “Two re-writes away from finishing the Great American Novel. Maybe about a 20-something in Brooklyn?”

Laugh at this guy, so that you don’t kill the actual guy in your MFA (or writing group).* Also, at www.guyinyourmfa.com, if you aren’t into Twitter. He has a buzzfeed quiz on how many books by white men have you read, and for the first time, I was proud to have read as few as I had.

The Worst Muse (@WorstMuse)

Profile summary: “No, seriously, go for it. It’ll be a bestseller.”

A long and hilarious list of what not to do in your writing.

—Anna

*Or the guy just this morning holding up the line at Starbucks while he explained to the baristas that he is a Writer (emphasis his) and so really pays attention to people and conversations and cultural transitions, and used that as an excuse to inquire into all of their ethnic backgrounds in a really uncomfortable way.

Fresh Off The Boat

By Eddie Huang

Book Cover: Fresh Off The BoatEddie Huang is funny and smart and has a really interesting story and perspective on life, but he’s also kind of an asshole.

He wrote his memoirs a couple years ago, which inspired a new sitcom just this season. Reading a review of the sitcom, I figured the book would be an interesting account of a first generation American’s experience. And it is. What it doesn’t really seem to be is material for a sitcom. As I got further in the book, I was more and more confused about how on earth they were going to make this family-friendly. Like, Huang’s family is all sorts of crazy, with some serious abuse problems to boot, and Huang has more than a few thug tendencies.

A lot of the story has been left out of the sitcom, naturally, but some has just been cleaned up. In one episode, the grandma teaches Eddie’s little brothers to play poker and promptly fleeces them of all their toys. It is a cute scene (my favorite part is when they appeal to their mom to get their toys back, she solemnly tells them that their grandma won them fair and square), but the reality is that Huang’s grandma had a gambling addiction that impoverished her husband and son.

Huang talks a lot about how meaningful he finds hip hop and the hip hop culture. I hadn’t ever thought about it like this, but he says that growing up in a chaotic and abusive household (his parents went far past the point of just being traditionalist; the children’s school reported the family to child protective services), the rhetoric used in hip hop about hard living on the streets gave him a frame of reference for his abuse at home. So, I found that to be a very interesting perspective, if not one that I could always understand.

Sports, basketball in particular, are also an important part of his life, and he discusses that at length, as well. Again, interesting, but not much relevance to my own experience.

What I could really relate to, though, was when he starts talking about food. He describes wanting to make a traditional American Thanksgiving (amusingly, his mother turned her nose up at most American food, but became a fan of green bean casserole), and watching a bunch of Food Network for research before settling on a combination of brining and infused herb butter under the turkey skin, which almost exactly replicates one of my first Thanksgivings on my own.

It is also through cooking that he was able to create his own identity and find a place in society that he was comfortable with, after many, many years of acting out. Similar to other memoires I’ve read by people in their 30s, relating their road to eventual success, the vast majority of the book is spent on the early struggles, with the success sort of just coming together at the end. I guess I’d prefer a somewhat later memoir that gives a little more attention to maintaining the point of success once it has been achieved.

—Anna

How To Be Black

By Baratunde Thurston

Clearly I’m not so much the intended audience for this book, though author Baratunde Thurston was very kind of include a welcome to non-black readers in his introduction:

Book Cover: How To Be BlackIf you are not black, there is probably even more to be gained from the words that follow. They may help answer the questions that you’d rather not ask aloud or they may introduce a concept you never considered. You will get an insider perspective, not only on “how to be black” but also on “how to be American,” and, most important, how to be yourself. This book is yours as well.

He does provide a caveat though:

If you purchased the book with the intention of changing your race, I thank you for your money, but there will be no refunds. None.

This made me laugh and also feel better about reading about it, though not enough to read it in public. (In fact, Rebecca told me that it made a list of poorly-chosen books to read in public.) Then, I felt worse when I realized when I was reading it. Another excerpt:

Now, more to the heart of the matter, the odds are high that you acquired this book during the nationally sanctioned season for purchasing black cultural objects, also known as Black History Month. That’s part of the reason I chose February as the publication date. If you’re like most people, you buy one piece of black culture per year during this month, and I’m banking on this book jumping out at you from the bookshelf or screen. Even if you’re reading this book years after its original publication, it’s probably February-ish on your calendar.

And so I am. Sigh. I actually heard about the book through Samantha Irby on her blog bitches gotta eat, (which I’m slowly reading all entries backwards in order to catch up) in which she talks about getting to open for Thurston at his Chicago show.

Anyway, the book is a combination of his personal memoirs, thoughts on the black culture in the United States, and interviews with a group of other writers and artists. It is just really funny (as it should be—Thurston works for The Onion), and really informative.

This is making me very uncomfortable to write, but I think it is important. It is very easy to fall into the liberal trap of ‘black people aren’t scary, just culturally different’ while still keeping them very much grouped as one solid entity and separate from yourself. I was continually surprised at how many similarities there were between my childhood and Thurston’s.

First off, my mom and his mom would have gotten along like gangbusters, both outspoken and often radical feminist professionals in large urban areas (Boston and DC, respectively) with long-standing hippy tendencies. We were both the first ones in our peer group to know what tofu was and to have eaten, if not enjoyed, it regularly for dinner. Both of our parents struggled with the idea of sending us to underfunded public schools, before deciding to send us to the local private Quaker schools (of course, his turned out to be Sidwell, so he won this round).

The funny thing is that some real disconnect for me happened around college, when Thurston describes going to Harvard, and while he mentions certainly having to deal with entrenched racism, the experience was overwhelmingly positive and his main take-away was that anything was possible for him and his fellow Harvard grads. At which point, the grubby little communist in me rose up to bitch about how these rich college boys think they can just have whatever they want whenever they want, which was certainly not a response I thought I would have to this book.

Honestly, though, the biggest take-away for me, the thing that was the most important lesson and revealed some hidden racism on my part, was just how funny I found the book to be. Because a lot of humor is shared experiences and personality, and I guess I’d figured that Irby and I are both women, so I relate to her humor in that way, but I just hadn’t expected to relate to Thurston so much. I’m glad I did, of course, and more than a little ashamed that I assumed I wouldn’t.

—Anna

Rebecca

By Daphne du Maurier

Book Cover: RebeccaI’d tried reading Rebecca years ago, but it starts off with a lengthy dream sequence that is just a description of a decaying estate, and that is a lot to get through right off the bat. I was inspired to try again by the “Rebecca” chapter in Mallory Ortberg’s Texts from Jane Eyre. (I received two copies of this for Christmas, which was good, because it meant that my cousin’s wife didn’t have to steal my copy. This is also the second classic it has inspired me to read.)

The thing is, Rebecca makes me feel old. Perhaps if I’d read it when I was 22, the age of the unnamed second wife and narrator, I’d have been full of righteous indignation about what an awkward situation she’s in and how much more difficult everyone around her is making it. But, instead, I find myself sympathizing with the disdainful and bullying housekeeper, who loved and respected Rebecca, the first wife, and now has to deal with this shrinking child who can’t seem to do anything but apologize for her existence.

As soon as her much older husband starts showing exasperation, though, I’m all in her corner, and she gets somewhat less cringing as the book goes on and she even starts to show some personal agency. Also, du Maurier has a real skill at building a suspenseful atmosphere, so I was still invested in the scenes when not totally invested in the characters.

It took me a few chapters to realize something, but once I did, I was able to enjoy the book even more: I’d had a vague sense that this was a ghost story, either literal or metaphorical, but it is in fact a mystery, and unnamed second wife is not unlike Nancy Drew (in that she behaves like an exceptionally naïve teenager). Rebecca died under mysterious circumstances, and there are hints that she was not exactly as people thought she was. Reading the unfolding of that is actually quite satisfying, and I was even surprised by the series of big reveals at the end, which is always nice.

I wish I’d thought to live blog this one because just every scene is so full of craziness: the costume ball that goes predictably but still agonizingly wrong! The demonic housekeeper trying to hypnotize our narrator into suicide! The shipwreck unearthing secrets of the deep! (Another horrifying reveal that is too spoilery for me to discuss here, but that all the characters took in much better stride than I did!) It is not unlike The Shining, really, with an unbelievably passive woman feeling oppressed by a building and her emotionally distant husband, and would have been fun to go through chapter by chapter, but I was also able to read the book in under a week, which makes a bit of a rush job out of live blogging.

—Anna

The Shadow of Albion

By Andre Norton and Rosemary Edghill

Book Cover: Shadow of AlbionWhen I first read this book, I recommended it to Kinsey as “the best time-traveling, regency romance, espionage fantasy book you’ll ever read” and I stand by that, even if it isn’t time-traveling so much as alternative realities, but that’s splitting hairs a bit, I think.

The only drawback is that the authors pack the plot so full of intrigue and plot threads that they weren’t able to tie them all up in this book, or even the sequel, and then most unfortunately, Andre Norton passed away in 2005, and I’m just a little resentful that Rosemary Edghill didn’t finish off the third one on her own. (The second one has a blurb at the end saying that they are working on the third! Also, the sequel was published in 2002, and Norton didn’t die until 2005, so what were they doing those three years?!)

Anyway, the premise is a little difficult to explain, especially with my very murky knowledge of history. The year is 1805, and our heroine, Sarah Cunningham, is introduced both dying in her ancestral mansion in England and orphaned in colonial Maryland. In order to fulfill mystical oaths to the land, the living Sarah is brought from her world (our world) to take the place of her dying double in a world in which magic exists. Magic!

So, in this other world, each artistocratic land owner is magically tied to their land, and each king is tied to his country through even greater magic, which means two things: one, overthrowing kings is much trickier to do, so the Stuart family still rules England; and two, Napoleon is playing even more havoc with Europe than he did in the mundane world. Politics!

Also, in this other world, Sarah turns out to be betrothed to the dashing and dangerous Duke of Wessex, who of course she has never met. Wessex is also an undercover agent for not one, but two government agencies, where he foils assassinations and facilitates treaties. Espionage!

Honestly, I don’t know why I’m trying to summarize the plot for you – dukes and duchesses, kings and queens, spies, assassins, fairies – honestly, that should be good enough, just read it!

I’m not even going tell you anything about the sequel, except that it has all of the above, but shifts the setting to the new world, where there are pirates, native mysticism, and the Marquis de Sade, communing with very real demons. Read it!

Gabriel: A Poem

By Edward Hirsch

Perhaps I should add a tag for “mourning” here? I feel like I readreadread as much escapist nonsense as I can take in, but then suddenly get jerked to a stop by some book that looks like it might address my reality in an important or useful way. I saw this headline from NPR on my facebook feed: “A Poet On Losing His Son: ‘Before You Heal, You Have To Mourn’”, and I thought, that sounds promising; I don’t feel like I’m healing much at all yet – maybe I just need to mourn some more.

I’m actually not that big on poetry, either; I have great respect but little understanding for it. The following excerpts caught ahold of me, though:

Some nights I could not tell
If he was the wrecking ball
Or the building it crashed into

*****

Like a spear hurtling through darkness
He was always in such a hurry
To find a target to stop him

Turns out this…was not an easy read. It has taken me two months to get through 78 pages of short lines of poems (and an additional month to post about it). I’ve been reading other books, too, of course, because I couldn’t bear to take this one on my commute with me. So, I read a few pages at home until I needed to stop and then I waited until the next day.

I truly don’t really get poetry. Even reading this, I don’t understand how Hirsch has managed to capture so much of what I’ve been going through more accurately in like 15 words than the various prose books have in pages and pages of text.

Hirsch dedicates the majority of the poem to describing Gabriel and their history together. And there were so many similarities: Gabriel was adopted like Thomas, was raised in an upper middle-class and highly academic family, and had serious teenage rebellion that included drug use and short stints of homelessness.

Toward the end of the poem, Hirsch describes his own mourning, and there were even more similarities: the desperate practicalities that have to be done even though you are barely holding yourself together, the agonizing over what you were doing the exact moment your loved one died, what you were doing just before that when you could maybe have done something to prevent it instead.

Yeah, this was a tough read, but a lot of the lines continue to echo in my head, and I know that I will read it again in a year or two, as well, when hopefully things are a little better.

—Anna