Ruined by Vaughn, Searle, and Smith

by Rebecca

Ruined
written by Sarah Vaughn
pencils and colors by Sarah Winifred Searle
inks by Niki Smith
2023

This is a regency romance graphic novel and it’s delightful and well-done and extremely fictionalized. It’s not so much set in the British regency era as it is in the universe of the Bridgerton TV show, not explicitly but pretty obviously, as it mostly maintains the fashions of the historical era while ignoring the social and political issues.

In this universe there is no racism or homophobia. Sexism is alive and well in the systemic way that drives so many romance novel plots, especially arranged marriage ones such as this one, but not in the individual way. Systemic classism is also highly present but largely ignored. If this book had been trying to be historical fiction, it would be a failure, but as a romance with aesthetic, it’s a delight.

Our heroine has been compromised! She must marry immediately in order to avoid a terrible scandal! Our hero has inherited an estate that’s in terrible repair and near bankruptcy! He must marry for money! They must give up all hope of a love match and have an arranged marriage!

The story opens at their wedding, and then they proceed to get to know each other and fall in love. There’s also a number of secondary characters with at least two other couples who get together with their own intersecting shenanigans. The book is very cute, beautifully illustrated and everyone makes ridiculous decisions regarding their love lives. It’s also got a couple of explicit sex scenes, which are very much part of the story and character arcs, but were surprising to me since otherwise the story telling feels very general audience and open to all ages.

Demon Daughter by Bujold

by Rebecca

Demon Daughter, a Penric & Desdemona Novella
by Lois McMaster Bujold
2024

Yay! A new Penric & Desdemona story! And I’ve been distracted enough that I had to discover it from an Amazon notice since I follow Bujold. (And it says something that it took three weeks for them to notify me.)

This is a novella that has a plot around a kid lost at sea, but contains some even more interesting explorations about what demons are and what they can do, as well as showing how Penric, Desdemona, and Nikys are evolving their family. It introduced enough interesting lore that it also makes me wonder if there’s a larger work in progress to take advantage of the implications. I live in hope! But if not, this still is a wonderful addition to the series.

Also, a mini-spoiler: I always love it when a saint of the Bastard is a character because they are all hilarious and awesome!

Doppelganger

by Anna

By Naomi Klein

So, I didn’t really know who Naomi Klein was, or Naomi Wolf for that matter, but I’d seen the rhyme going around twitter:

If the Naomi be Klein / You’re doing just fine / If the Naomi be Wolf / Oh, buddy. Ooooof.

and it made me laugh, even without context. And, well, here’s the context and then some! Naomi Klein, I learned, is a renowned author who has previously focused on criticisms of capitalism and government, and who has long been deviled by the inability to distinguish her completely from the “Other Naomi.” Naomi Wolf first became famous as a feminist author in the 90s, a sort of peer of Camille Paglia.*

With the exponential popularity of social media and then the pandemic shutdown, the confusion grew even worse, and Klein became somewhat obsessed with her other, tracking Wolf’s sharp turn into deep right-wing conspiracies and alliances with Steve Bannon and Tucker Carlson among others. Klein uses her particular relationship (such as it is) with her doppelganger as an extremely effective jumping off point to comment on a wide variety of societal issues, such as increased isolation coming out of social media, polarization in politics, and the various grifters that take advantage of it all.

Some of the criticisms of the book are that it is too wide ranging, and would be better to have narrowed the focus, but I strongly disagree. One of Klein’s theses is that our social systems are all interconnected, and in order to make change, one must be able to take a wide view of everyone and everything. The disenfranchisement we’re seeing in politics, economy, environment, personal relationships, and on and on, are all tied together, and Klein’s general framework of doppelgangers and mirror worlds is a very effective thread leading the reader through them all.

It’s such a sprawling and deep look at issues I don’t often read about for pleasure, that I was continually caught off guard by how funny Klein is. Just about every passage had me laughing out loud, her accounts of being very occasionally mistaken for Naomi Campbell being a notable example. That said, it does get more serious as it goes, an effective way to lead more casual readers like me into deeper philosophical waters than we are used to.

Speaking of deeper philosophical waters, Klein references several times the docuseries “Exterminate All the Brutes” currently on HBO, which looks at the history of genocide in establishing “civilized” societies. I have currently just watched the first of the four hour-long episodes, since the topic is devastating and takes some time to sit with. The meandering, montage style took me a while to get used to, and the images and topics are definitely a bombardment to the psyche. But it is also increasingly clear that we’ve been taught a very white-washed and sanitized version of history, and it is critically important to try to unlearn that propaganda whenever and wherever we can.

* I have never read Camille Paglia, either, but at least was familiar with her due to a scorching review by Molly Ivins.

The City Beautiful

by Anna

By Aden Polydoros

Published in 2021, Aden Polydoros notes in the afterward, “I wanted to write a book where the Jewish characters weren’t just passive victims, but where they fought back and rose above the people who wished to do them harm.” The political climate today is a little trickier, but it does feel like both Hamas and IDF are doing their best to erase the beauty of Jewish culture each in their own way. Polydoros, however, does a powerful job of capturing the complexity of Jewish immigrant experience, in this case in Chicago in the late 1800s.

The City Beautiful packs in a lot, actually – it is a YA historical fantasy murder mystery, tying together the historical realism of immigrant life in the Chicago tenements with Jewish folklore in an enthralling story. Years after a traumatic Atlantic passage and the death of his father, Alter Rosen is focused on staying out of trouble and earning enough money to bring his mother and sisters to America. The disappearance of young men in his neighborhood is common enough that he doesn’t pay it much heed until his roommate and unrequited crush is found drowned. When preparing the tahara, the ritual purification ceremony for dead, he is taken over by the other boy’s dybbuk, or vengeful spirit, and driven to uncover the murder in order to free himself and lay the spirit to rest.

He is assisted by friends and neighbors who all represent varied facets of Jewish and immigrant experiences, occasionally in conflict with each other. The novel captures how messy and uncontained life is, and by contrast how false and damaging stereotypes and propaganda are, even if they seem more easily digestible on the surface. At a more basic level, it is also an absolutely thrilling mystery and ghost story, and a sweet YA-appropriate romance.

Grave Expectations

by Anna

By Alice Bell

I guess I just really love the very specific premise of a real psychic, who finds it easier to pretend to be a fake medium, has to solve a murder mystery in an old English country estate, because I loved A House of Ghosts and I loved this one! Despite the obvious similarities above, Grave Expectations has a much lighter, quirkier tone, at least partially due to the modern setting.

30-something Claire has been ‘haunted’ by her best friend ever since Sophie was mysteriously murdered when they were both in high school. This has clearly been a mixed blessing for both Claire and Sophie, but they have settled into a relatively routine life at the novel’s start. Claire makes a basic living as a medium, using Sophie mostly just to eavesdrop and dig through personal items for information.

Claire and Sophie are very reluctantly drawn into a murder investigation by a recent ghost, and their apathy is only matched by their ineptness, which makes for some really excellent comedy. Oddball members of the deceased’s family, both living and dead, join in the investigation, adding to the general hilarity. Halfway through, I was already hoping this is the start of a series.

I was snorting and giggling along, and was completely blindsided (in a good way) by the surprising pathos of the crisis point, when the author gives us a peek into the much more realistic trauma of two women struggling to come to terms with one of their unnatural deaths. I’m only a little ashamed to admit that I teared up. …And then we were back to slapstick reveal and denouement, poking fun at many of the traditional murder mystery tropes! I would have expected it to have felt uneven; it was jarring, but in a really skilled way that used the precarious balance of comedy and drama to strengthen the impact of each.

Apocalyptic Travel graphic novels

by Rebecca

Touring After the Apocalypse, Volumes 1 – 3
by Sakae Saito
translated by Amanda Haley
2022-2023

I randomly checked these manga out from the new release section of my local library and they’re adorable. Youko and Airi are (or at least appear to be) two teenage girls who are traveling via motorsbike around Japan, seeing the sights, following Youko’s older sister’s previous touring schedule, but while the pictures and social media posts that the sister posted look (more or less) like regular posts we might see today, Youko and Airi are seeing the sights after they’re long abandoned and worn down and completely absent any other people. But they’re so excited to see everything!

In each volume, there’s some discovery that to me-the-reader acknowledges the whole tragedy of the empty and crumbling infrastructure of society and what it means that there are so many people not there. To the two girls, it’s fun and interesting and then they move on to the next thing. It keeps the whole mood light-hearted, while also highlighting how much society changes in a single generation as kids who didn’t live the history are accustomed to their lives as being the norm.

There’s a slowly building reveal that something else is going on with these two, but while there are various hints and teases so far, I haven’t figured it out yet.

I’m also really impressed with the translation job since there’s a lot of pop culture references and word games that flow perfectly naturally while I’m reading the English and I can only imagine were incredibly difficult to transpose from the original Japanese.

The Electric State
by Simon Stålenhag
2017

Oof, this is beautiful and moody and horrifying and dark, and it ends in such a way that there’s just enough hope for the future that I think “maybe…”, even though it’s very clear that there’s no real hope. But, just, maybe…?

My first thought when looking at this book was that it was an art book, full of beautiful full page and two-page spreads of various post-apocalyptic scenes. And it is! But it’s also a novella with a story, written in text and full paragraphs and absolutely no text boxes or the like, so it’s more of a picture book than a graphic novel in the way the text and the images interact.

The story is about the narrator Michelle and her companion Skip making a cross country trip in a thoroughly failed cyberpunk society. The setting is intra-apocalyptic rather than post, and oof, does it dip into all sorts of horror, with the implication that at least three types of apocalyptic disasters were all happening at once: war, environmental, and technological. It was reassuring that the events were set in the 1990s with a different history prior to that because this book would have been even more horrifying if it was set in the 2040s. There are a series of flashbacks that reveal the narrator’s backstory, but it’s only in the final third of the book that the reason for trip and Skip’s story are finally revealed, and it’s such a magnificent twist that just twists my heart and stomach.

The differences between these two titles is kind of amazing, just in tone and visualization, especially given how similar the premise and frameworks are. It very much highlights how two people can tell the same story in such different ways that they become two different stories. Reading these two so soon one after another reminds me very much of the Holy Shit! Two Cakes! meme.

A Market of Dreams and Destiny

by Anna

By Trip Galey

This novel is set in a fantasy version of Victorian England, where one of our protagonists is an indentured servant in a mundane workhouse and the other is indentured in the underground fae market. The two meet by coincidence (or grand design?) and in addition to an instant attraction, seem to also possess skills and access to help the other toward freedom.

Author Galey does an incredibly good job of weaving together the dual goals that sometimes align and sometimes not, as well an immersive world balancing realistic and fantasy elements. He uses the same mirroring to reflect on the many different ways that the poor and working class are exploited by the wealthy, and how whole systems of society are built on exploitation.

The strong plot element and theme of workers’ rights and community mutual aid felt both contemporaneously Dickensian and very timely for 2023 (and hopefully 2024). It also created high stakes for the various plots and schemes that kept me on the edge of my seat for most of the book. At times I clung to the fact that I’d seen it recommended on a romance forum in hopes for a happy ending. (Minor spoiler: though serious sacrifices are made, the final resolution falls into place immensely satisfyingly.)

Christmas Stories

by Anna

As I get older, I find I have to work a little harder to generate a holiday spirit among all the daily life stressors and nonsense, so I like to gear up with some seasonal reads:

The Haunting Season: Eight Ghostly Tales for Long Winter Nights

I bought this because it includes a Natasha Pulley story about Keita and Thaniel from her Watchmaker of Filigree Street series, which I adore. The general reader reviews are mixed, with many readers saying that Pulley’s story was the weakest since it doesn’t stand alone if you aren’t familiar with the characters. Being well familiar with the characters, though, my experience was the opposite: I very much enjoyed Pulley’s story, always happy to get more of Keita and Thaniel, but was disappointed in the other stories.

Perhaps it was because I was already familiar with Pulley’s characters, but they were the only ones that I actually liked. Most of the other stories featured either selfish or delusional characters, I suppose to ‘justify’ the hauntings one way or another? The plots also seemed overly complicated and obtuse, so each story ended just as I felt like I was starting to get a feel for it.

Sentenced to Christmas

By Marshall Thornton

Marshall Thornton writes the most ridiculous rom-com and cozy mystery plots featuring a cast of hilarious dirtbag characters, and I get a real kick out of his books. As befits the title, the plot of this book is absolutely ridiculous: arrested for burning down the patriotic Christmas tree in front of a conservative talk radio station, our protagonist Gage is sentenced by a crackpot judge to spend Christmas with the prosecuting assistant district attorney (his own defense attorney being Jewish) in order to “learn the true meaning of Christmas.”

The thing about Thornton, though, is that his dirtbag characters then often react with more realistic cranky befuddlement, and it is consistently laugh-out-loud funny. Only one thing stops me from wholeheartedly recommending this: Gage’s friend and assistant is introduced as non-binary, and that being a point of contention with their family, especially around the holidays. Unfortunately, Thornton presumably forgot, and uses she/her pronouns for them for a chunk of the middle of the book. I am confident that it is an unintentional writing error, and amazon reviews mention that some editorial errors have been fixed, so hopefully this is no longer a caveat.

graphic novels

by Rebecca

It’s Okay That It’s Not Okay
by Christina Tran
2022

I got this book from the Small Press Expo and it’s really good and also really emotional, about the process of dealing with grief after too long trying to push past it. Trans’ mother died in 2003, but the story is set in 2011, as she deals with the results of never fully allowing herself to grieve before, and not feeling able to grieve anymore. It’s really beautiful and well done, using the graphics to show both how busy she kept herself for years and also how hard the depression hit when she was no longer able to push the emotions away. There were definitely parts I recognized in myself and others. I highly recommend it.

Cat Burglar Black
by Richard Sala
2009

This is an adorable classic gothic mystery with gangs of orphaned street thieves, mysterious secret organizations, orphans, previously unknown aunts, mysterious illnesses that require full face bandages, hidden treasures, and a lot of just-off-screen gruesome deaths. There was also a lot of info dumping about the various backstories, but the action was really well done. The deaths had a certain Edward Gorey quality to them. I expect kids and teens would love this, but I might be too old to properly appreciate the many macabre deaths.

Thistil Mistil Kistil
by Sarah Schanze
2015

This is gorgeous. It’s another Small Press Expo acquisition that I bought entirely for the illustrations which are amazing, and only then did I pay attention to the story which is also really good. The plot is about a viking kid who has died honorably in battle, but due to circumstances has been blocked from Valhalla and given the mission to find three pieces of famous weapons that Loki has stolen and return them to Odin before he will be allowed to enter. So he goes to Loki to try to figure out what he did with them. Loki is more or less curious about how is all going to play out and probably has motives of his own to go along with this quest to find whatever happened to those pieces. Stuff happens. After reading this, I discovered that it is only the first five chapters, and while the story is not yet completed, the first twenty-two chapters are available online: https://www.tmkcomic.com/archive/ Yay! So I am now all caught up and wow, did things get complicated and I really hope the rest comes soon! But also, just wow, the illustrations are so beautiful and so significant to the story telling.

The Mystery of the Fool & the Vanisher
by David and Ruth Ellwand
2008

This book is less of a graphic novel and more an extensively illustrated short story. (“Picture book for adults” was how I first phrased this but then thought that sounded pornographic, which this is decidedly not.) The plot is a Victorian gothic mystery about a photographer, an archaeologist, and the pixies who do not appreciate archaeological digs in their territory. The illustrations are all photographs, including photographs of photographs, as the framing story is about a photographer who finds an abandoned locked trunk that contains documentation of a much earlier photographer who tried the prove the existence of the fae folk. (I was much reminded of Arthur Conan Doyle’s attempts to prove such.) It is extremely atmospheric.

The Housekeepers

by Anna

By Alex Hay

I only realized after starting this novel that heist stories usually dovetail into two very disparate directions, either clever and glossy (à la Ocean’s Eleven or Leverage) or gritty and desperate (Six of Crows, for one). I enjoy both in general, but currently have more of the emotional capacity for the first, and The Housekeepers decidedly falls into the second.

The recently dismissed housekeeper from a wealthy household gathers together a team to strip the house of all its valuables. The team is all women, most of whom have served in domestic positions, with all the poverty and humiliation that entails. Each woman has her own private motivations and ambitions, and the cooperation of the team always feels like a very fragile agreement that could break at any time.

None of them are particularly likeable, though I sympathized with all of their positions and the actions they felt forced into. It reminded me a little of Parasite, where the extreme inequality is a prison for everyone involved, whether on the luxurious side or not. I could see a solution where all the characters find true purpose and satisfaction, but given the world they lived in, it was impossible, and instead I read in dread of who would get hurt the worst.

And that world, the society they live in, created a more finely pointed, subtle dread than just the suspense of the heist itself. These women who had once been domestic servants are now in much more precarious financial positions, but also have more personal freedom on their own. When they go back into service to set up the operation, the grind of the drudgery becomes its own obstacle, as manual labor and exhaustion take their toll.

The whole thing became a bit much for me at times, honestly—at times I couldn’t put the book down, but other times I had to take a break after a few pages—and the book carries it right to the end. There was no satisfying wheeling out of the perfect plan, just nail biting, and I was hanging onto the blurb raving about “a sensational triumph and the ultimate takedown of those in power” to ensure a happy ending.