The Shining Girls

Oct29 by Kinsey

As if the sudden chill in the air, the changing leaves, and the dark evenings weren’t enough to convince me that fall is officially here, my apartment building decided to get in on the action this week by setting up an ENORMOUS inflatable grim reaper in the lobby. It’s just decoration for the annual Halloween party, but it looms over you in an ominous way when you’re checking your mail. And speaking of things that kind of freak me out, The Shining Girls by Lauren Beukes is an excellent book to read to get you in the Halloween mood by scaring the bejeezus out of you.

Serial killers and their victims may seem like well-covered material, but this version has a twist–the killer has found a house in Chicago that allows him to travel through time, killing women in Chicago throughout the 1900s. But one of his planned victims survived, and she’s on a mission to figure out who attacked her, no matter how strange the answer might be. The action alternates between the killer and the survivor, and the tension builds as their stories converge. And the occasional chapter following one of the doomed women feel like tiny historical fiction stories, providing snapshots of life at various points in the twentieth century.

There are a lot of things that make me want to recommend this book, including a compelling mystery, a kick-ass female lead character, and a compelling first-person view inside the mind of the killer. But it is a very dark, very creepy, and at times hard to read–I had to stop reading it right before bed because it was giving me nightmares. Also, something bad happens to a dog. But if you’re looking for something to scare you a bit, this is a solid bet.

Kinsey’s (Approximately) Three Word Review: Criminal Minds meets Quantum Leap

You might also like: Any of the mysteries by Tana French or Gillian Flynn–I know I recommend these two all the time, but they have a similar feeling. And Never Let Me Go by Kazuo Ishiguro has a similar mystery combined with a slightly different universe than ours.

Sin City Series

Oct23 by Anna

By Frank Miller

So, after reading Frank Miller’s A Dame To Kill For, I rewatched the movie “Sin City” and then decided to read ALL the Frank Miller Sin City graphic novels. I went on a wild reserving spree at the library; the library rental system just sort of lists “Sin City Frank Miller” for each of the volumes, so I had to do scattershot holds on all the books. I ended up reserving multiple copies of some volumes and no copies of the first volume until about a month after all the rest. So, I’ve been reading them as they come, completely out of order, but I’m going to quickly review them all in order here.

Quick caveat upfront: Frank Miller is not to everyone’s taste, so while I love the comics, I can’t indiscriminately recommend them to everyone. If you don’t like broad noir stereotypes and ultra violence, it doesn’t matter how well it is done, this is not going to be for you. For the rest of us, here’s my rundown, with semi-spoilers (revealing a character is in volume 5 sort of spoils that he doesn’t die in volume 4, I guess? Although, actually, only sort of. I was reading them out of their published order, but the volumes weren’t written in strictly chronological order, either):

Volume 1: The Hard Goodbye

The first panel of the book and the series:

It doesn’t get more classically noir than that. Most noir mysteries are sweltering hot; sometimes they are bitter cold, but mostly roasting. Reading this issue last, I can tell that it was Frank Miller’s first (he is still finding his style for this series) and I can understand why it made such a splash in the comic book world. Everything is just so in-your-face: the violence, the machismo, the sex – I think it was probably unlike anything else people were reading at the time.

The Hard Goodbye is Marv’s (Mickey Rourke) story from the “Sin City” movie, the plot line with the most action but the least explanation, so I was happy to get more of the backstory this time around. With a couple of well-placed lines, The Hard Goodbye also gives a very quick overview of the origins of Sin City itself, which was most welcome after reading the other six volumes. At the end of this volume, too, I realized that The Hard Goodbye bookends at least several other volumes, with several of the subsequent volumes occurring to other characters within the span of time of this volume.

Volume 2: A Dame to Kill For

Previously read and reviewed here, inspiring this extended post.

Volume 3: The Big Fat Kill

The Big Fat Kill is Dwight’s (Clive Owen) story, starting with him in Shelly’s (Brittany Murphy) apartment while she argues with her ex-boyfriend (Benicio Del Toro). I kept thinking that I had already read this one, but then realized that it is literally the same as the movie, frame by frame, line by line. It’s really quite impressive.

It also made me appreciate the movie even more. By entwining volumes 1, 3 and 4, they made for a diverse group of characters and quick pace that the original comics seem to lack a bit in comparison.

Volume 4: That Yellow Bastard

That Yellow Bastard is the Bruce Willis/Jennifer Alba story line from the movie. This is probably the most…problematic of the Frank Miller stories (and that is saying something). Spoilers for both the book and the movie, of course:

Continue reading →

I Can Barely Take Care of Myself: Tales from a Happy Life Without Kids

Oct18 by Anna

By Jen Kirkman

So, I struggled a bit writing this review because this is a book-reviewing blog, not an autobiographical blog. But, clearly, I didn’t just pick up this book out of the blue, thinking, boy, I’d like to read more about comedian Jen Kirkman’s personal views on pregnancy and childhood.

Much like Kirkman, I have never felt a strong desire for children or even envisioned children in my future. Also like her, I have been told by people older than me, in very decisive tones, that I will change my mind when I get to be that age, and I guess I sort of believed them. I knew that I didn’t want children at the time, but accepted that I could change my mind (I’m a big fan of spinach now, and I wouldn’t have anticipated that when I was a kid, so, sure, tastes change) and that would be fine.

However, if I may put this delicately, I’ve come to the age, where perhaps sooner rather than later is a good time to plan for children, and I have experienced no change in my feelings. This really does seem to be a somewhat shocking aberration in our current society, and I thought it would be comforting to read someone else’s struggles with the same outlook.

So, I approached this book wanting a philosophical discussion on what it means to be a woman in our society who simply chooses not to have children. I was slightly disappointed right off the bat because it was no different than many other comedic memoires I’ve read, an overview of her childhood and young adulthood and what drew her to comedy; she’s funny and an engaging author, but it wasn’t what I was looking for in this particular book. About halfway through, though, she really delves into the subject of not wanting kids and her immediate surrounding’s reactions to that, and it was exactly what I wanted. I even understood that she had to set the stage before: that she was a normal kid, from a loving, intact family, with siblings who have happily chosen to have kids. There is no childhood trauma to be used as an excuse, and her lifestyle choice cannot be called a symptom of anything.

The most important thing that came out of the book for me is that she doesn’t ever explain exactly why she doesn’t want children, and I believe the truth is that she can’t. I certainly couldn’t, either. Can parents truly describe why they wanted children? I get that there are concrete reasons; I have concrete reasons, too, for not wanted children, but they aren’t really the whole story, or even most of it, are they? It is simply something deep down inside you that desires something, or does not. I have a million reasons why I don’t want kids, but reading this book helped me come to the understanding that they are all just extraneous excuses and it all boils down to the very basic truth that I simply don’t want them.

I have had various conversations about it with family, friends, and acquaintances, and found them all to be much more accepting than the conversations that Kirkman relates. Towards the end of the book, she goes on a bit of a screed about parents wanting to push everyone else to be parents, too. For me, though, reading this book made me more comfortable with my choice, but also more comfortable with people who chose to have children, as well. If my choice to not have children is deeply embedded in who I am (and it is), then their choice to have children is, too, and that is certainly something to respect and admire.

—Anna

P.S. – Jen Kirkman wrote a short column for Time Magazine, giving a brief overview of her book here.

P.S.2 – Jen Kirkman was also featured in the Boston episode of Drunk History, which I just love and you should definitely watch (but not at work)!

P.S.3 – A few days after reading this, I had a super realistic dream that I was pregnant and it was awful. Even in the dream, I thought “how ironic that after coming to a comfortable acceptance of not wanting children, now I will have one for the rest of my life.”

The Books of the Raksura

Oct14 by Rebecca

The Books of the Raksura
By Martha Wells

The Cloud Roads
Feb. 2011

The Serpent Sea
Jan. 2012

The Siren Depths
Dec. 2012

Please, please, let there be more coming soon!

So I started reading The Cloud Roads on the recommendation of an online friend and thought it was decent but not fabulous. My ambivalence was mostly due to the fact that most of what should have been unique about the world building, I’d seen before in either George Lucas’ Star Wars or in Bujold’s Sharing Knife series. The characters seemed a trifle flat, although nothing out of the ordinary when the focus is on world building. The plot and character interactions were still fun, and I enjoyed it enough to check out the second book.

Half way through the second book, I put a request in at my library for book three. Then I finished book two, which ended perfectly satisfyingly with no cliff-hanger in sight, and yet I still desperately wanted to see more of these characters and this world, both (all?) of which had finally come into their own.

And then the third book was just as awesome as expected. Awesome!

And now I want more, more, more!

Anyway: the world Wells created is a complex one with an unknown number of sentient species all living in their own communities and groups, but also very much interacting. The bar in Star Wars, where Luke and Kenobi meet Han Solo would not be out of place in one of this world’s cities.

Our main character, Moon, is introduced while living with yet another group of people, trying to fit in with a species not his own. The trouble is that Moon doesn’t know what species he is. He lived with only his mother and siblings before he was able to care for himself, and they all died when he was still quite young.

In The Cloud Roads, the first book, Moon discovers his own people. Or rather, he is discovered by his own people. In The Serpent Sea, Moon settles in and finds his place among his own kind. And in The Siren Depths the comfort that he has found is challenged.

One of the things that particularly impresses me with Wells is the way she introducing the reader to a person and a culture who are decidedly not human and yet are completely sympathetic. Each book adds more layers of complexity and subtlety over the cultures and individuals, making them increasingly enthralling. I also love the way Wells plays with gender roles and how societal expectations vary from society to society and how even societies with established hierarchies always have to deal with a few exceptions. And Moon, as both our main character and an outsider to all societies, gives the reader a wonderfully bemused perspective on it all.

If you want a taste of these books, the first chapter of each book is available online. In addition, Wells has posted a short story, The Forest Boy, which shows Moon as a kid, before the start of the books. (She also has other short stories and missing scenes posted, but the others should wait until you’ve caught up to those events in the books.)

Overall, they’re just kind of adorable books with wonderfully nuanced takes on some standard tropes. And I really hope there’s more soon.

Predictably Irrational

Oct11 by Rebecca

Predictably Irrational: The Hidden Forces that Shape Our Decisions
by Dan Ariely
2008
read by Simon Jones

I took a couple of courses in grad school about the information business, which is a growing industry that deals with the interesting paradox of having to use information as both a marketing tool and a product. It’s fascinating and complex, but was also my first introduction as an adult to standard economic theory.

Both my immediate and ongoing reaction is: standard economic theory is idiotic. It’s just blatantly false, based on two assumptions: 1. All decisions made by individuals are rational. 2. All those rational decisions are made with the primary goal of increasing that individual’s personal financial wealth.

Standard economic theory has a real hard time trying to explain nonprofits. Or, you know, families and friends.

Ariely is one of the active researchers opening up a new field of study: Behavioral economics. This is a field that comes out of psychology more than economics, and it looks at how people actually make decisions. (And is something of a balm to my soul after trying to comprehend what regular economics think.)

How do biases work, or habits form? How do our decisions change when we have an audience or not? Rather than always acting rationally, how do we rationalize some of our less acceptable behaviors?

He studies this, and he does so through a series of small experiments. (His students at MIT should really have started to be suspicious of some of his odder requests. And I imagine the neighborhood kids roll their eyes at this point.)

It’s an excellent book, with a great deal of humor to it, but also caused a certain amount of introspection as I thought about how I make my own decisions, and a certain amount of horror, given the current political state of my country, in regards to how politicians make their decisions.

I highly recommend this book. My three word review: funny, fascinating, and important.

The Uninvited Guests

Oct7 by Anna

By Sadie Jones

This is just the strangest little book! Kinsey recommended it last year as a good spooky story for Halloween reading, and I’ve only now gotten around to reading it. I’m not even sure quite what to think. Oh, I liked it a lot, but was never quite sure where I was standing with it, either.

It started as one of those impoverished English gentry books (you know, where the insular family starts to decay along with their surroundings?); it reminded me a bit of Dodie Smith’s I Capture the Castle. Then things took a turn for the worse and it was a bit of an adult Lord of the Flies, which was actually pretty horrifying, though still in a disconcertingly genteel way. As the various mysteries were revealed, though, I realized exactly what this book is: it is a written Edward Gorey illustration.

In fact, it is so much Edward Gorey that when I searched to find a representative illustration, I found the following eight that are literally characters or scenes from the book. I’m putting them after the cut, not because they are spoilers, really, but so I don’t fill up the entire home page with lots and lots of Gorey illustrations. Continue reading →

Rather Outspoken: My Life in the News

Oct3 by Rebecca

Rather Outspoken: My Life in the News
By Dan Rather and Digby Diehl
2012
read by Dan Rather

I almost quit this book several times, as I struggled to make it through the first three CDs of the ten-CD audiobook. Not because it was bad (I wouldn’t have had a problem quitting if it were just bad), but because it was very well done recounting of a couple of very hard stories. In the first two chapters, Rather recounts breaking the Abu Ghraib scandal and the Bush National Guard scandal, and having to deal with the push backs and the attempts both external and internal to CBS to squash those stories.

In my imagination, the news business is run by the type of irascible fictional news editors like J. Jonah Jameson of the Daily Bugle (from Spiderman) and Perry White of the Daily Planet (from Superman). They’re gritty and obnoxious abut are all about getting the news out there and aren’t going to put up with anyone trying to quash a story:

“I’ve got a story,” I said. “My source has leaked a lot of highly classified information, and the paper could get in a lot of trouble if we run it. But if we don’t, my source is going to keep trying until he finds someone who’ll print it.”

Jameson’s face lit up like Christmas. “That’s just about my favorite thing in the world to hear,” he said, and chomped on his cigar for emphasis. “What’s the story?”

— The Scoop (an Avengers fan fiction) by Hollimichele

And yes, I realize that’s a highly romanticized notion of how investigative reporting works, and yet, it is the image I have in my head. From Rather Outspoken, I got the impression that Dan Rather has a similar idea of how the news should run. News, by it’s very nature, is something new and the people who are currently in power, happy with their power, and happy with the status quo, are not going to want told. If no one is offended or angry about the news, then it’s probably not very useful news. A news organization, then, should know that it’s setting itself up to fight a series of battles, and those organizations who ignore stories and refuse to fight are failing at their jobs.*

With this vision in mind, for Rather, seeing CBS cave in to political pressure is a personal betrayal as well as a professional one and just… hard. For me, it’s painful to see that betrayal and to realize that, as a member of a very different generation, it doesn’t really surprise me at all. I have an idealized vision of news reporters, but I don’t actually believe it’s real.

Luckily, after that, Rather turns to looking with a more large-scale perspective on his life and career and goes back over events of the past. I do wonder though, if it becomes easier for me because he begins to discuss events that happened before I was born and if they would remain difficult to hear for people who had lived through them and could feel those traumas again in the recounting, of the Kennedy assassination, the civil rights movement, the Watergate scandal…

Anyway, it was a very good book, and while I didn’t always agree with Rather on his politics or his interpretations, I do whole heartedly agree with him on the importance of an informed public and the dangers of a progressively more corrupt news industry.

* Speaking of people who are failing at their jobs: I’m going to take a moment to call out the U.S. Congress: if they can’t keep the government running, then maybe we need to get a new Congress. Is there a way to make a vote of not confidence? This is the type of dirty politics that Rather managed to immerse himself in so he could report on it, but that I find so distasteful that I can barely stand to listen to.

The Raven Boys

Sep26 by Kinsey

First of all, let me say that the people I write this blog with are very, very smart. I haven’t been writing many reviews lately because I’ve been too busy with things that they’ve already told you about. But just in case you missed any of Anna and Rebecca’s previous recommendations, I add my full endorsement to :

The Lizzie Bennett Diaries–these are so good, I now own merchandise.

White Cat–as I said in a comment on Anna’s review, this whole series was like Harry Potter meets the Sopranos.

The Tightrope Walker–-very 70s and fun.

Frost Burned–one of the more enjoyable of the recent Patricia Briggs books.

But I finally got around around to reading something new. The first Maggie Stiefvater I read was her teenage werewolf trilogy that starts with Shiver. The story was fine, if maybe a little weighted down with teenage romance, and maybe sharing a little too much DNA with the Twilight books. But The Raven Boys, the first book in her new Raven Cycle, felt much more original and confident.

The boys of the title are teenagers attending a fancy school in Virginia, and Blue is a local girl who gets caught up with their efforts to solve a supernatural mystery. Magic is treated very calmly here–Blue is from a family of psychics, and ghosts and time travel and Arthurian legend are all just common currency–so don’t expect a lot of explanation for how anything works. And since this is clearly intended to be the start of a series, a whole lot of guns are introduced in this first act that have yet to go off. But I liked the characters and, even more, liked the tone of the book. This isn’t a bleak story, but it is creepy and ominous, and it gave me the shivers reading it at night. The second book in the cycle, The Dream Thieves, just came out on Monday, and I have that squiggly sort of feeling about reading it–I can’t wait to find out what happens, but I’m not sure I can bear to find out, since I know things can’t possibly end well for everyone. It’s going to be an excellent thing to read as the year races towards Halloween.

Kinsey’s Three Word Review: Eerie, magical mystery

You might also like: White Cat, or Grave Mercy, or Beautiful Creatures, or any of those young adult magic/fantasy series. But let me also recommend another YA book about a boarding school that has a similar melancholy, atmospheric tone, minus the magic: Jellicoe Road by Melinda Marchetta.

The Men Who Stare at Goats

Sep21 by Rebecca

The Men Who Stare at Goats
by Jon Ronson
2004
read by Sean Mangan

This book is awesomely hilarious. Hilarious, if, you know, you can get past the very real horror that is mixed in with the craziness. Apparently, I can. In many ways, the book as a whole reminded me of Keller’s Catch-22, an awesomely hilarious comedy all about the inhumanity of war.

And unfortunately, I once more have to warn for animal harm. Given the intent (by the men who stare at goats) of doing harm, I shouldn’t be surprised, but given the proposed method (i.e., staring), I found I was surprised after all. (It hadn’t occurred to me to ask: where are these goats coming from?) Plus, once we’re past the animal harm, we then move on to torture of prisoners.

Somehow it still manages to be super funny.

Jon Stewart on the Daily Show called Jon Ronson’s writing “investigative satire” and that’s pretty much what it is. This book is also an illustration of the phrase: “Truth is stranger than fiction, (because fiction has to make sense.)” In the final chapter of this book, Ronson sums it up by explaining that this is the story of how, in the aftermath of the Vietnam War, the discouraged and demoralized U.S. army attempted to incorporate some of the “New Age” culture that was developing, but in true military style, rather than seeking new ways to find peace, they looked for new ways to make war.

Ronson himself is also quite the character: a soft-spoken, somewhat nebbish guy. He’s gone on The Daily Show with Jon Stewart, twice, so you can see him for yourself. It’s worth seeing him for yourself, especially if you’re planning on listening to the audiobook version of this book, because, in stark contrast to Ronson, Sean Mangan reads the text with a deep intent and melodrama that just adds an extra layer of hilarity to it all.

There are a lot of conversations in which the various interviewees are saying something either crazy or horrifying or both, and Ronson is recounting the conversation:

So-and-so said: some crazy and/or horrifying thing

I said, “hmm.”

Now imagine that spoken in a deeply melodramatic fashion.

“I said,” Mangan intones, “hmm.”

I, the listener, can’t help but giggle.

To use Kinsey’s practice of a Three Word Review: funny, informative, disturbing

In The Woods

Sep13 by Anna

By Tana French

I really liked this book: it has a plot that I couldn’t anticipate and building suspense that I couldn’t put down, and the characters are where it really shines. The narrating detective’s female partner, especially, is tough, smart, and likable, and that’s a lot less common than it should be. My favorite passages of the book just follow the various officers working through the minutiae of the investigation. However, there were a couple of issues that kept me from loving it:

First, a pet peeve: I just hate foreshadowing. I know that is an important writing device for building suspense, but I hate it when the narrator says stuff like, “if only I knew then where this would all lead” or “at the time I was so sure I was right.” I just hate it, and this book was chock full of it. I will say that French put it to better service in this novel than I’ve seen in used before, but it still didn’t make me like it. I prefer to advance through the story at the same time as the narrator, and see missteps retroactively as well.

Second, from the very beginning, even on the back cover blurb (so this isn’t a spoiler; the full plot spoiler follows below the cut), it is known that the narrating detective’s past is related to this new crime. Though the book primarily focuses on the present-day murder, the cold case, with the same setting and similar victims, runs as a parallel undercurrent. Our narrator knows he shouldn’t be working this case, but he is obsessed and becomes increasingly unbalanced throughout the book. French does a very good job of subtly depicting his unraveling mentality, and I gradually began losing patience with his growing belligerence and incompetence and all-encompassing self-involvement.

So, I found the actual reading of the book a bit more a chore than I like in my for-fun books, but the twist ending (which I couldn’t even guess at) made it all worth-while, and I want to bring it up because I want to gasp over it with other readers, specifically Kinsey, who recommended it to me and mentions the second and fourth in the series here.

WARNING: I’m seriously spoiling the entire mystery in the following paragraph. Pet peeves aside, I really do recommend this book if you like the grittier-type murder mysteries and suspense, and if you haven’t already read it, you should check it out without my spoiler. Continue reading →