Kinsey has mentioned this before, but in addition to reading, we also watch a lot of television and listen to podcasts. I have two very particular* recommendations that are bringing me joy in these extremely trying times:
The Dragon Prince
Netflix
Oh, The Dragon Prince! The first season of this cartoon just hit Netflix a few weeks ago, and it probably would have passed me by entirely except for a thread of kudos on twitter. And I absolutely loved it! It reminds me of my favorite cartoons from when I was a kid: character-driven and quest-oriented fantasies like The Secret of NIMH and The Last Unicorn. Rebecca and I rationed ourselves and watched the nine half-hour episodes over three days, but were still real sad when we finished them.
About halfway through, I commented to Rebecca that in a weird way it made me think of Game of Thrones for kids. The world is split into multiple kingdoms that have been fighting each other for some vague number of years. A variety of characters from different lands and backgrounds must form and break alliances to strive for their own goals. And, of course, the violence is turned way down and the sex eliminated entirely. Dare I say I enjoyed it more?
Wolverine: The Long Night
Stitcher
If The Dragon Prince is Game of Thrones, then Wolverine: The Long Night is True Detective (season 1, the only season). The Long Night is Marvel’s first authorized podcast and it is a beautifully done drama in the style of old radio shows like Dragnet and The Shadow. Now I love a classic radio drama to begin with, but I really think this is something special.
Also like The Dragon Prince, each episode of The Long Night is disappointingly short, only about half an hour. For the first five episodes, at least, Logan himself is very much a peripheral character: talked about briefly, but only showing up in person (in voice?) a very few times. The primary narrators are two FBI agents who have been dispatched to rural Alaska after a fishing boat is found with the entire crew slaughtered. Once the agents are in town, they discover that previous suspicious deaths had been hastily charged to bear killings, and that the whole town is a tangle of secrets centering around the one wealthy family.
The whole show does a wonderful job of creating atmosphere just through different tones of voice, and some light musical overlay. The writers manage to convey an impressive amount of information through dialogue without a lot of single-person narration or exposition. It just makes me so, so happy, and my only qualification is that there isn’t enough of it (yet), so it can be a bit frustrating.
*I say particular because while I love both of these, they are each for distinct fan-bases. Rebecca loved The Dragon Prince, as well, but doesn’t care for any radio dramas, and certainly wouldn’t like a noir-like mystery radio drama. Kinsey, a big podcast fan, is not super into cartoons, though it is possible that The Dragon Prince is charming enough to overcome that.
Private I
This is a tiny little comic, about 6” x 6”, that is also a lovely
Rebecca and I attended a panel for the first time, one on reporting and journalism in a comic format. It was really interesting, and I heard later that it was one of the better panels. Ben Passmore was one of the panelists, talking about how he’s narrated his experiences in current civil rights protests. After the panel, I went to his table and picked up
I was about a 100 pages into Kinsey’s recommended 
This book was described as Jane Austen meets magic, which sounded pretty good. And it is pretty good! It just isn’t…that. Lately any book set in a regency-type society is compared to Jane Austen, completely disregarding that it is the characters, not the setting, that makes her so popular. Austen imbues her characters with such wit and charm that it is a delight to read about them even in the most mundane setting or plot. Between Two Thorns doesn’t have any of that charm, really, but instead it has some very good world building.
Humans Wanted
Wilde Life
Power Ballad
My first free download was 