More Disappointments from BookBub

Fear the Drowning Deep

By Sarah Glenn Marsh

Fear_the_Drowning_DeepThe most difficult books to review are those that aren’t really good or really bad – just all those mediocre books.

It seemed so promising! Set on the Isle of Man at the very beginning of the 20th century, it could have explored a fairly unique place and time for YA novels. Unfortunately, Fear the Drowning Deep is just really silly.

Sixteen-year-old Bridey spends the entire book careening between crises, making very little distinction between being teased by her sisters, forced to get a job by her parents, and witnessing the disappearances of various friends and neighbors. Her most consistent character trait is that she hates and fears the ocean, which is more than a little inconvenient on a small island where fishing is the main economy.* Of course everything comes back to that, and she must face her fears to save the day.

It became such a hodgepodge of fantasy elements and mundane details that I couldn’t get a good sense of whether the fantasy was rooted in actual myths from the time and place, and the book did not inspire me to do any additional research. Adding to the disconnect was the mundane details were often given far more drama than the fantastical—a sea serpent must just be dealt with, , but a nosy and judgmental neighbor can warp your entire life, apparently.

*This lead to an extra level of unbelievability for me, which was not the author’s fault. I just love the ocean so much that I can’t even conceive anyone feeling otherwise. If I could live where I could see and smell the ocean all the time, I would be in heaven!

Twisted: The Girl Who Uncovered Rumpelstiltskin’s Name

By Bonnie M Hennessy

TwistedTwisted, on the other hand, is not silly or mediocre — it is confusingly both very good and very bad, so I was never sure if I was enjoying it or not (up until the big climax, when I was most certainly not). It is a retelling of the Rumpelstiltskin story, which is a big part of the problem, since that story is awful. The central woman in the original story has almost no personal agency, and is tossed from man to man: her father to the king, to Rumpelstiltskin, and then back to the king, who becomes her husband.

By trying to flesh out the story and give more depth to each character, the author took on a really challenging task, but unfortunately it just highlights how awful all of the men are and how terribly they treat the heroine. Early on I told Rebecca that I couldn’t tell whether the book was chauvinist or misandrist, which is a very odd spot to be in. Set sort of indeterminately in an England-type place in an 18th-19th century-type time, the king is now a duke in this version, with neighboring lands to heroine Aiofe’s previously wealthy but now struggling family. Mild spoiler: early on in their relationship, he clumsily tries to engage with her, crowding her space and touching her without permission (very bad! men are the worst!), at which point Aiofe panics and prepares to attack with an ax she has on hand (oh…uh…I’m not sure that was a capital offense, actually).

The entire book continues this way in a very unsettling manner. Is Aiofe a competent woman who faces potential threats squarely, or an unbalanced child who brings trouble onto herself with her assumptions and over-reactions?  Is the Duke an entitled nobleman trying to break from his upbringing in order to make honest human connections, or is he a sociopath who values other people only in how they can serve him? Is Rumpelstiltskin a damaged spirit looking for acceptance and understanding, or a sulky godling who demands complete devotion? These would all seem to be pretty stark opposites and yet they somehow seemed to exist simultaneously, which made for a very unsettling read, and not in a good way.

Honestly, I felt like this book was somehow gaslighting me, which fits in with the characters pretty well, actually. By the end, the extreme amount of emotional labor that the various female characters all had to do for the various male characters really soured me on the whole thing.

World Map of Literature

I do love seeing those lists of books that all sorts of publications put out:

They’re fun to browse and generally make me feel all snooty and superior either because I’ve read a lot or because I disagree with the selection. They tend to be heavily weighted towards western white male authors, with maybe a noticeable minority of western white female authors.

That tendency makes Literature of the World all the more awesome, because this one Reddit user, Backforward24, literally goes over a world map and identifies a piece of literature from each country that you should read:

Literature of the World

And the joys of social media crossover means that I actually discovered this Map via Tumblr, because I don’t generally browse Reddit. That’s where I went to copy down the list of books* that I am including below the tag for length purposes:

* note: I have read 7 of the 145 books.

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Six of Crows

Six of crowsIf I told you that a book was like a YA Game of Thrones crossed with Ocean’s Eleven, would I even need to say anything else?

I haven’t been reading a lot lately–due to a combination of work and personal events, I’ve been so busy and distracted and stressed that I haven’t been able to concentrate enough to read much beyond Twitter. Which is unusual for me, but it does mean than when a book manages to break through the fog, it’s something to note. Six of Crows by Leigh Bardugo is actually the first in a set of two books (and it’s basically just one big story, so you might as well go ahead and get Crooked Kingdom at the same time, because you’re going to need to start it right away) that I just thought were terrific. Tense and dark and sweet and magical and twisty–the kind of story that drags you completely out of your world and into a new one.

Like Ocean’s Eleven, this story has an ensemble cast with a crafty leader who is always one step ahead of everyone else. In this case, the ringleader of the group is Kaz Brekker, an up-and-coming gang boss in a city that reads like an alternate universe Amsterdam where magic is real. When he gets offered a can’t-say-no job breaking into an impenetrable ice palace, he has to assemble a group of other disreputable underworld teenagers with the skills–including sharpshooting, demolitions, and magic–needed to pull off the heist. But this is not a simple theft, and the gang gets swept into disputes both international and interpersonal. Reading Six of Crows and Crooked Kingdom was like a roller coaster–I would get more and more tense as things went wrong and situations got dire, and then there would be this rush of glee as all the double-crosses and plans were revealed.

Now, this isn’t a comedy. As appears to be the thing in YA books now, there is violence and death and things do get very dark. I should also note that this story is set in the same universe as another trilogy of books, starting with Shadow and Bone. I haven’t read those yet (they’re all waiting on my Kindle) but they happen some time before Six of Crows. So if you’re very intent on reading things chronologically and not getting any hint of other story lines, you might want to start there.

Kinsey’s Three Word Review: Gritty, magical caper

You might also like: We’ve already raved here about Megan Whalen Turner’s The Queen’s Thief series, but I really think that if you liked one of these, you’d like the other. Kaz and Gen have an awful lot in common. And this is great opportunity to tell you that Turner just came out with a new book in her series (technically, a stand-alone story in the same universe) called Thick as Thieves. Quick like a fox, go check it out!

online comics / graphic novels

I never quite know what term to use for comic strips or comic books or graphic novels now that the medium has expanded so wildly beyond what those terms originally referred to. But I’ve got two online comic strips that I highly recommend because they’re charming and delightful and I just love the characters and the stories and the artwork.

First up:

WildelifeWilde Life
by Pascalle Lepas
2014 – ongoing

The plot is: “A graphic novel about a writer who rents a haunted house from Craigslist and makes not-friends with a werewolf.”

It’s essentially a series of short stories set in a rural town around the main guy who’s rented a house for a while to just get away from his previous life that’s mostly not mentioned. The illustrations are excellent (and just keep getting better) but the characters are where this really shines. Every character is so very much themselves and so very delightful. (And don’t forget to check for roll-over text comments from the author on later pages because they’re pretty darn funny too.)

The author has just finished the sixth chapter / plot arc, and it’s so incredibly delightful and I really hope she does another kickstarter so I can order hardcopy versions. In the meantime, you, gentle reader, should immediately go check this out: http://www.wildelifecomic.com/comic/1

Second up:

powerballadPower Ballad
by Molly Brooks
2017 – ongoing

This only has eight issues out so far but it’s scheduled to be updated weekly and those eight issues are an utter delight!

Meera is the personal assistant to international pop star / masked vigilante Carina. So while Carina does music videos and fights crime batman-style, Meera tries to make sure appointments are made and kept. And they both have adorable pining crushes on each other but neither have said anything (yet!) and it’s just too cute for words.

Also, the illustrations are amazing and doing some really interesting things, because first they’re working with the online medium by displaying each issue as a single page down which the reader scrolls rather than trying to mimic a hardcopy comic book (at some point I think it would be really interesting to see if hardcopy comics can be made on scrolls to mimic websites), and second, they’re illustrated with just a couple of colors in a handful of shades, which gives it a sort of quick-sketch first impression while still being amazingly effective and detailed.

So check it out here: http://www.webtoons.com/en/drama/power-ballad/list?title_no=987

 

The Tearling Trilogy

I read the first book in this trilogy, The Queen of the Tearling, almost a year ago, but I was too scared to recommend it until the final book was released because I’ve been burned before. I wrote a blog entry about The Fifth Wave before I had finished the series and you guys–that one was not good. It got so convoluted and nonsensical at the end that I read all three books but am still not 100% sure if the aliens or humans won. But this trilogy did not descend into madness!  It really held up and kept me hooked the whole time.

Trying to describe the plot of these books makes it sound like every other YA/fantasy-ish series out there. In a land that sounds a lot like medieval Europe, a teenage girl is about to become queen of a country under attack, and will have to learn confidence in herself and how to wield her power in order to protect her people. I know, I know, this could describe half the things I read. But there are a few things about this story that I think make it different than some other versions:

  • It’s dark. I know that YA these days leans dark, but this is pretty darn dark. Kelsea, the main character, doesn’t just have to save her people from looming threat, but from some truly terrible things happening in her kingdom.
  • This is not a romance. Some people like each other, and some people have sex, but this is not a story where you spend the whole time waiting for two key characters to realize how much they love each other. These characters have so much to deal with that love is pretty secondary to them, and the books treat it that way.
  • There is an interesting treatment of time. I don’t want to give too much away, but especially when you get to the second and third books, the concept of time becomes somewhat malleable in a way that I was not expecting.
  • This may connect to the first bullet (the darkness), but there is not a lot of redemption in this story. Bad things happen to people–tough. People do some bad things–they don’t always get to make up for it. Even people who do great things don’t necessarily get rewarded for their efforts.
  • There are a few subtle magical elements in this world that are pretty much never explained. I am still torn on whether I am annoyed about a few things that we all apparently just have to accept as a given, or pleased that the author didn’t try to make up “reasons” for magical occurrences.
This all made these books sound horribly depressing, doesn’t it? Well, they’re not light and fun. But I was completely hooked on them and I was surprised with where the story ended up–the author took what could have been a familiar, maybe even overdone YA trope, and took it in a newer, darker, more subtle and complex direction.

Kinsey’s Three(ish) Word Review: Dark, moral coming-of-age

You might also like: A number of adult sci-fi fantasy books, such as Woman on the Edge of Time by Marge Piercy, The City and the City by China Mieville, or David Mitchell’s The Bone Clocks. In the YA area, this was similar in a lot of ways to The Daughter of Smoke and Bone trilogy.

Sandman Slim

By Richard Kadrey

Sandman_SlimOh, man, this book is like if author Richard Kadrey took everything I love in fiction and put it all in one book – dark and moody hero detective in a noir-ish mystery, with violent action and Judeo-Christian mythology thrown in. (Have I mentioned before my love for schlocky Judeo-Christian horror movies, like “The Omen” and “The Prophesy”? I have!)

I was having trouble figuring out what else to say about it, really, so I went to see what people wrote on amazon, and more than a few mentioned how immature and dislikable the protagonist was, which embarrassed me a bit, since I rather liked him. James Stark, aka, Sandman Slim, was literally sent to Hell during a magic-ritual-gone-wrong in his late teens, and the novels opens with him finding his way back to Earth eleven years later, set on revenge toward those who sent him down.

He returns a bit psychotic, with some serious impulse-control issues, but I give him a lot of leeway, what with his early adulthood in Hell. As the backstory began unfolding, I realized that it reminded me a bit of The Magicians. Kinsey has previously favorably reviewed The Magicians, but when I read it later, I didn’t like it much at all – I thought all of the characters were spoiled brats who made everything and everyone around them worse. Sandman Slim felt like a natural conclusion to The Magicians – all of their arrogant blundering has finally bit them in the ass, and the one bitten the worst has grown up (a little) and is going to make the rest of them pay. It was just very satisfying, and has seriously been the best thing in the last couple really crappy weeks.

J.J. McAvoy

BlackRainbowMcAvoyBlack Rainbow
by J.J. McAvoy
2015

ThatThingMcAvoyThat Thing Between Eli and Gwen
by J.J. McAvoy
2016

SugarBabyMcAvoySugar Baby Beautiful
by J.J. McAvoy
2015

 

So I wavered on writing these books up because they’re in a genre I don’t generally admit to reading: the short, extremely self-indulgent, quite graphic, romance novel. It’s a genre that pretty much defines the guilty pleasure book for a lot of women (it’s a money-maker genre in the publishing industry.) They’re not, generally speaking, good books, but they can be intensely satisfying and relaxing brain candy.

J.J. McAvoy might have managed to break the mold for this genre, though, because I think her books might be genuinely good. They are certainly significantly better than any other books in this genre that I’ve ever read. The issues the characters deal with are relatively believable and sympathetic, but more importantly her characters are all smart and witty and just a bit mean without ever being cruel.

Reading these books really highlighted for me how my favorite characters are all at least a tiny bit mean. I don’t like cruelty, but neither do I like a milksop. These characters, they talk and they bicker and they’re in their partner’s weight-class as far as those fights go, and they genuinely apologize on the rare occasions they go too far or hit an exposed nerve. The books transcend the self-indulgent fantasy by being about characters who are enjoyable in their own right.

And then McAvoy modified the standard plot arc in a way that I’m really impressed with. I’m going to put that beneath a spoiler cut, although there won’t be any specific spoilers.

I won’t recommend the books to everyone, because you do have to enjoy the genre first, but if you do, then you should absolutely try these.

Plot arch spoilers:

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