The Empress of Salt and Fortune
by Nghi Vo
2020
I can’t remember how this book got onto my to-read list, and it was there for a while before I got around to starting, but I’m glad I did. It’s lovely. It’s quite short – only 120 pages – but it’s beautifully, almost lyrically written. It’s also really interesting as an example of story crafting. The tone and the content of the book are in such stark contrast.
The tone of the book is very calm and quiet — contemplative, almost dreamlike. The world is a casually magic ancient China: there’s magic and mysticism, but it’s not the point of the story and it’s not particularly relevant, it’s just how the world is. An archivist cleric with a bird companion arrives at an old estate to make records of it, before moving on to their next assignment. The only other person there is an old servant woman. That’s the story.
In contrast, the topic of the book is the Empress of Salt and Fortune. She has recently died after a long and successful reign, but this old estate that the cleric is taking records of is the place of exile where she had lived for six years as a young woman before she came to power. The old servant woman, Rabbit, was her companion in those years. The empress is an amazing character: delightful and complex and ruthless and clever, and her plotting is dangerous and deadly. And the reader and the cleric learn about her from seeing the estate and hearing Rabbit’s stories.
In some ways this book reminds me of The Hands of the Emperor in that all the massive political upheavals happened in the past, all the anxiety gone and all the grief muted by time. In some ways it reminds me of Iron Widow in the way the empress is ruthless and vicious and hurting and victorious. And of course all three of them are about taking power and surviving. But it is also very much it’s own story and a fascinating read. I definitely recommend it.
I jumped on Rebecca’s library loans, and read The Iron Widow and then The Empress of Salt and Fortune, and I loved both, but The Iron Widow is so intense that I felt like The Empress of Salt and Fortune was a perfect follow-up balm, of sorts, with not too dramatic a shift away from theme but as Rebecca described, a much more soothing tone.