By Silvia Moreno-Garcia
I am a big fan of Silvia Moreno-Garcia, and I love following her across all her genre hopping: Gods of Jade and Shadow was a breathtakingly dreamlike and philosophic fantasy novel, Certain Dark Things an engrossing and gritty vampire/mob suspense novel, and Mexican Gothic a beautifully atmospheric and bizarre gothic (of course). And now, Velvet Was the Night is a picture-perfect noire in every way!
In the acknowledgement, Moreno-Garcia mentions that noir is a proud tradition in Latin America, and she has certainly done it proud with every character, scene, and even the descriptive tone of the writing. Velvet Was the Night centers around two very distinct protagonists: an apolitical, daydreaming woman stuck in a secretarial job she loathes, and a young thug hired to infiltrate and repress (i.e. beat) student and/or communist protests. Moreno-Garcia teases out throughout the book how similar they are to each other, regardless of their wildly different circumstances, as well as how each of them incrementally matures through the events that push them outside the ruts of their daily lives.
Like all good noirs, Velvet Was the Night connects the daily lives of these two individuals and the people around them to the wider scope of politics. In this case, the politics of 1970s Mexico are complicated and literally foreign to me, and yet Moreno-Garcia somehow manages to spin it out in a way that I could understand and follow along to, starting small and generalized and building up the complexity of the different factions along with the plotlines. It felt like some kind of magic trick and I have no idea how she kept me tracking all the twists and turns!