By Elly Griffiths
Mysteries follow trends just like everything else, really. The reason “the butler did it” is such a cliché now is that for a while it was the big surprise in mysteries, that the ‘invisible’ servant in the background could be the culprit! Then there was the investigator being the murderer, leading pretty directly to the unreliable narrator. We seem to now be in a surge (resurgence?) of meta-mysteries, murder mysteries that hinge on other murder mystery novels.
In previous years, I’ve certainly read plots with allusions to other books, of course, but I think what makes this recent iteration stand out is that that the full content of this sub-book or story is embedded in the novel. Magpie Murders was my first experience with this, and probably the most notable, and it seems to me that Elly Griffiths is very much playing off it here. I don’t mean to call The Stranger Diaries derivative, because I think it is an extremely clever structure, and I look forward to reading a bunch of different authors’ takes on this trend.
The Stranger Diaries actually mixes things up pretty intriguingly by rotating through narrators including: the inspector, a smart and no-nonsense policewoman; the friend of the victim, a fellow English teacher at the local prep school; that friend’s daughter who attends the school; and finally a short horror story written by a somewhat obscure author who used to live in the school a century ago. If that seems like a lot and a bit of a jumble, it is, but it also works.
First the detective is a wonderfully practical woman who has worked her way up to a respected position as both an Indian and lesbian woman in a British police department, and she provides our most unbiased view of events. The friend and fellow teacher is more closely involved with both the victim and all the other teachers (suspects) at the school, and gets at more of the emotional impact of the crime and investigation. She is also researching and writing a book about the horror author, giving us some more background into clues that seem to tie the story to the crime. Her daughter, then, reveals undercurrents among the students of the school that are invisible to basically all adults around them. So, it isn’t exactly unreliable narrator for any of them, but just really highlights that everyone can only see a situation from their own perspective, and one can only get a more complete picture by piecing all those different perspectives together.
I’d previously read Elly Griffiths’ Magic Men series, and this book just reinforced for me how good she is at characters. They are all quite likeable while still being flawed each in their own distinct ways. I think I’ve described Griffith’s writing this way before, but though they aren’t “cozy mysteries,” strictly speaking, they feel like comfortable mysteries. Everyone (except the victim, of course) is going through their life, doing the best they can, and mostly getting by pretty well. It’s dramatic enough to keep it interesting but not overly stressful or grim. It hit the sweet spot of what I’m looking for in these already stressful times, and I’ve already put a hold on the sequel.