By Agatha Christie
We finally bit the bullet and got Amazon Prime in order to watch “Good Omens,” and since then I’ve also been diving into all the Agatha Christie I’d been pining after. I’d previously reviewed the novel Crooked House, and the movie lacks a fair amount of the charm of the novel, replacing the more familial relationships with additional drama. However, the casting is truly amazing: Glenn Close, Gillian Anderson, and Christina Hendricks, all playing extreme personalities rubbing against each other in the titular crooked house. So, while I preferred the novel overall, the movie is well worth a watch.
After Crooked House, Amazon recommended “Ordeal by Innocence,” a three-part miniseries based on another stand-alone Agatha Christie novel I wasn’t familiar with. Well, I absolutely loved it! An authoritative matriarch has adopted five children from a variety of troubled backgrounds and raised them with dictatorial love. At the time of the book and miniseries’ start, she has been murdered 18 months ago, and the youngest son, with a history of delinquency, found guilty from overwhelming evidence. The son had insisted on his innocence until he died in prison, providing an alibi that couldn’t be confirmed.
The first character we meet is the man who could have proven the alibi, but has been incapacitated for the past 18 months, and is only coming forward now. This of course opens a whole can of worms, as the family had finally settled into some semblance of acceptance of the mother’s death and the son’s culpability, and now suspicion is everywhere again.
The miniseries takes some of the subtext from the book and makes it straight up text, leading to some deliciously shocking reveals along the way. Controversially, the series actually changes the ending, going with a different perpetrator and motive than the book. The revised ending maintains the spirit of the book, and gives a clear nod to a pivotal relationship in the original.
The book is much quieter, taking a more philosophical approach toward what it means to be innocent of a crime if no one can prove it (thus the title). Wikipedia cited that it was not one of Christie’s more popular novels, with reviewers wary of the psychological delving into motives and character. I wouldn’t normally have minded this, but 1950s psychology is rough. The women are portrayed especially uncharitably, which I would guess inspired the changed ending.
As Rebecca pointed out, the two books complement each other fairly well: both large, wealthy families consisting of conflicting strong personalities; in one, the troubled backgrounds of the family members lead naturally to conflict; in the other, the family seems to turn to conflict themselves just for the entertainment. For each, I preferred the version that included the most warmth in characters, and for one that was the novel and for the other the updated series.
As an aside, we also tried to watch “The ABC Murders” with John Malkovich as an aging and depressed Hercule Poirot, and it was such a depressing grind that we couldn’t get past the first episode.