By Harriet Smart
So, I’d read The Alienist over twenty years ago in college, and only vaguely remembered it being about applying the very young field of psychology to the profiling of serial killers, and that the serial killer in question preyed on young boy prostitutes. I didn’t remember any details, including any of the central characters or the final solution, so the miniseries was almost a brand-new story for me, and I loved it! The acting was all excellent, overshadowed only by the lush cinematography highlighting the dramatic differences between the very wealthy and the very poor at the end of the nineteenth century. I am very much hoping that TNT decides to tackle the sequel, The Angel of Darkness, next!
Anyway, The Butchered Man reminded me strongly of The Alienist, in a good way. It takes place a good fifty years earlier and in rural England, but the two central protagonists fit right in. Giles Vernon is an ex-military man and current police chief, who is working to transition the local police from a loose watchman structure to a more organized unit based on his military experience. To that end, he hires Felix Carswell as a full-time police surgeon and forensic pathologist.
So, both characters are on the cutting edge of their professions and struggling against the status quo to push advancements. Carswell is a particularly interesting character; as the acknowledged natural son of one of the local bigwigs, he struggles with not quite fitting into any social strata. I was immediately engaged in both the characters and the mystery, and am looking forward to continuing with the series. My one caveat, though, is that the overall story does not necessarily show women overall in the best light, and I’ll be on the watch for that in the subsequent novels.
And going back to TV, can I also recommend “Fallet” on Netflix? The preview seem to show a somewhat generically dark police procedural, but there was a subtle quirkiness to it that attracted me. Let me tell you, in the actual show, the quirkiness is not subtle: “Fallet” is an extremely funny satire of the popular Nordic mystery genre. The characters and dialogue are laugh-out-loud funny, but the actors, director, and cinematographer all play it extremely straight, which makes it even funnier. The whole season is eight half-hour episodes, so it is a quick and easy watch, though it is subtitled, since half the characters speak Swedish.
The Alienist miniseries was so good, wasn’t it! I had actually never read the book, so I got it from the library and finished it as I watched the miniseries and . . . I think I liked the TV show better. Maybe that was just because it was newer and they added some diversity and addressed from gender issues in some better ways, I thought?
Or maybe I just really like all those actors.
Yeah, the actors were all so, so good! And it really did seem to add some more heart to the book, like the book was more plot-driven, of what I recall, but the tv show really delved into the personalities and individual struggles better. Which seems kind of the reverse of the usual book-to-tv formula, actually.